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Whitin, Phyllis; Moench, Candice – Art Education, 2015
Professional guidelines for English language arts call for the integration of multimodal literacy in the curriculum (National Council of Teachers of English, 2005). These guidelines are grounded in the belief that all meaning-making systems (e.g., visual, linguistic, spatial) are equally valuable. Each has unique potential that, when used…
Descriptors: Language Arts, Interdisciplinary Approach, Elementary School Teachers, Art Products

Hutton, Kathleen; Urbanska, Wanda – Art Education, 1997
Presents a series of lesson plans analyzing four paintings. The lesson plans use discipline-based art-education principles to examine issues of racial, ethnic, social, and gender prejudice. The artists represented are Robert Gwathmey, Thomas Hart Benton, Eastman Johnson, and Jacob Lawrence. Includes color plates and background information. (MJP)
Descriptors: Aesthetic Values, Art Appreciation, Art Criticism, Art Education

Kanatani, Kim; Prabhu, Vas – Art Education, 1996
Presents three works of art that examine issues of exhibition, display, culture, and access in contemporary museum practices. The works include four black mannequins dressed as security guards, a room-size installation consisting solely of objects related to the artist, and a poster highlighting the general exclusion of women artists. (MJP)
Descriptors: Aesthetic Values, Art Appreciation, Art Criticism, Art Education

Smith, Ralph A. – Arts Education Policy Review, 1995
Argues that, far from being a dangerous and destructive break with the past, various factions of postmodernism actually parallel modernist beliefs. Both movements share groups whose creative revisionists approach seeks a constructive accommodation. Similar parallel destructive approaches also exist. (MJP)
Descriptors: Aesthetic Values, Art Criticism, Art History, Critical Theory

Dekker, Jeroen J. H. – History of Education Quarterly, 1996
Explores the role of genre painting in the education and socialization of 17th-century Dutch children. Focuses on three types of painted scenes that transmitted educational messages: the private sphere of family life and the public domain of the street and of the school. (MJP)
Descriptors: Art Appreciation, Art History, Child Rearing, Critical Viewing

Pearson, Philip – Australian Art Education, 1995
Argues that definitions of culture are validated according to various social theories. Examines the contrasting views of culture provided by culture studies and structuation theory. Considers the implications of these contrasts for art educators. (MJP)
Descriptors: Aesthetic Values, Anthropology, Art Criticism, Art Education

Duncum, Paul – Australian Art Education, 1996
Advocates reconceptualizing visual arts as a core subject embodying key elements of experiential learning and critical thinking through an interdisciplinary approach. Illustrates this approach with a discussion of the interconnected issues surrounding family snapshots (social history, aesthetics, technological advancement). Discusses issues of…
Descriptors: Aesthetic Education, Art Criticism, Art Education, Art Expression