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New York State Education Dept., Albany, Bureau of Music Education. – 1969
The three approaches of Carl Orff, Zoltan Kodaly, and Shinichi Suzuki to early childhood education can be successfully fused to provide a foundation for a total music curriculum from the nursery to secondary school. Basically, Orff suggests that rhythmic patterns should be experienced in children's natural language as they improvise melodies and…
Descriptors: Applied Music, Curriculum Development, Elementary Education, Language Rhythm

Best, Harold M. – Design for Arts in Education, 1990
Outlines a philosophy for music literacy for all students that emphasizes wholeness. Suggests that music educators concentrate on nonverbal knowing, integrating popular and classical culture, balancing learned literature and improvisation, and making singing a central part of the music curriculum. Maintains that artistic excellence should be a…
Descriptors: Aesthetic Education, Auditory Training, Curriculum Development, Elementary Secondary Education

Freeman, Robert – Arts Education Policy Review, 1996
Asserts the necessity of developing a U.S. audience educated to appreciate classical music. Discusses a number of innovative programs across the country designed to increase audience participation and appreciation. Proposes implementing outreach and education courses in professional music schools. (MJP)
Descriptors: Audience Analysis, Audience Response, Audiences, Bands (Music)

McCarthy, Marie – Journal of Research in Music Education, 1995
Profiles music scholar Charles L. Seeger and his contribution to U.S. musical life. Seeger played a significant role in introducing vernacular music to schools, extending the definition of U.S. music in the curriculum, presenting music as a cultural subject, and promoting musical diversity in the classroom. (MJP)
Descriptors: Cultural Background, Curriculum Development, Educational Development, Educational History