Although first enunciated in 1827 by Samuel Newman, the modes of discourse--narration, description, exposition, and argument--were not very popular until formulated in 1866 and presented in the United States in a rhetoric textbook in 1885. After 1890, they were gradually accepted by the most influential rhetoricians of the day, and their use in…

Describes how the four traditional kinds of writing (description, narration, exposition, and argumentation) are used in advertising and suggests ways that advertising and the four modes may be used to teach composition. (DD)

Describes how a writing teacher has his students write about one object in the four modes (description, narration, argumentation, and exposition) as a means of learning about writing and writing to learn. Suggests that students learn about their topics when they write about them in the four modes. (SR)

Presents the journalistic essay as both appealing to college composition students and helpful in teaching them writing clarity, accuracy, organization, and the integration of narration, description, and exposition. (DD)

Retention of prose is examined as it is affected by (1) outlines as advanced organizers; (2) preexperimental familiarity with the material; and (3) text genre. Findings are discussed in the context of current theories in cognitive psychology, particularly those of structure, organization, and representation of knowledge and prose. (Author/GK)

Analyzes changes in content and shifts in emphasis in rhetoric texts from the beginning of the nineteenth century to the present. Suggests that the current-traditional approach to the teaching of rhetoric used in most college classrooms has a strong similarity to that advocated by early rhetoricians. (RBW)

Presents evidence that written responses to modality develop from a homogeneous writing quality to a more heterogeneous writing quality with some modes systematically favored over others." (Author)

This is the fourth and final report in a series dealing with the impact of the modes of discourse (description, narration, exposition, and argumentation) on written syntactic complexity at the elementary school level. The first three reports dealt in turn with the three grade levels involved in the study (third, fourth, and fifth grades). This…

Over the last 3 decades or so, English and its related disciplines of Rhetoric and Composition have adopted new tools of research--tools other than the traditional ones of narrative and description. These other tools are empirical or scientific, those that are common to the social sciences, including experiments, case studies, surveys, and…

Basic writers can be taught to write effective expository prose if they are taught to revise, and they can make considerable progress if they are given opportunities to write narration before tackling the complexities of exposition. Narratives come easily to basic writers and allow them complete control over subject matter and language. The…

Written syntactic complexity is considered in relation to the four modes of discourse (argumentation, exposition, narration, and description). In a study of 153 children at three ability ranges within each of three grade levels (three, four, and five), syntactic complexity was found to differ significantly across the modes. The range of syntactic…

This paper suggests that a change in mode of expression --narrative, descriptive, or expository--can influence the syntactic complexity of children's writing. The implications of the research studies reviewed here may offer direction for education in general. Instructional strategies which make use of variation in writing mode to encourage gains…

This book explores the many visually oriented activities that can be used to teach the composition process. Chapter one outlines the format of the book and discusses the composition process in terms of visual perception and reaction to visual stimuli. Chapter two introduces the general aspects of composition that are pertinent to all types of…

This study investigates the effect of mode of expression on the syntactic complexity of writing produced by third-grade children. Approximately 200 samples of writing in the modes of argumentation, exposition, narration, and description were collected from 50 third graders in the Atlanta school district. Syntactic complexity, as measured by length…

Intended for high school composition instructors, this book resolves the seeming contradiction between creative, expressive writing and formal exposition and argumentation by presenting a teaching method that treats creative writing as a necessary--if not sufficient--cause for exposition. The first two chapters describe a sequence of short fiction…