Describes the efforts of the Hangzhou Youth and Children's Center to develop children's skills and interests while educating them in socialist politics and morality. Concludes that recent economic reforms intended to expedite modernization have brought about an elitist educational system, subjugating egalitarian ideals. (KO)

Describes the cross-cultural Harvard Project Zero that was designed to identify major issues in Chinese arts education and to clarify differences between the aesthetic and educational systems of the United States and China. Discusses the exchange of education specialists, the interviewing of artists, and the examination of philosophy. (KO)

Describes Chinese art education from the viewpoint of an exchange expert in a cross-cultural study. Provides insights into the context in which art is produced in China. Contrasts the Chinese emphasis upon teaching by imitation with the Western emphasis upon concepts and guidance. (KO)

Discusses reasons for Chinese childrens' greater skills in drawing when compared with their Western counterparts. Describes teaching methods and learning strategies found in China. Notes Chinese emphasis upon attainment of high skill levels and concentration until a task is complete. Criticizes art education in the United States for its lack of…

This curriculum guide is developed to accompany 7 Chinese Cultural Heritage kits for use in intermediate and middle school classrooms. The units in this guide may be used with or without the accompanying kits. When appropriate, units include: objectives, introductory information, suggested presentation sequence, activity instruction, evaluation…

Provides an overview of China's music education system. Notes that there is in Chinese education a different emphasis upon conformity and the individual. Finds a separation between ideals and action in both the Chinese and United States programs. States that efforts to move the Chinese program away from training are still rudimentary. (KO)

Describes a Chinese lesson during which the techniques for playing the yang-ch'in are taught. Discusses why Chinese teachers use rote instruction in music lessons and why they use poetry and nonmusical scenes as indicators of music's expressiveness. Compares this method of utilizing imitation with U.S. teaching techniques and relates it to…