This practitioner's guide discusses what digital storytelling (DST) is and reasons for using it in family literacy (FL) programs. Examples of FL programs using DST effectively are provided, along with concrete steps for implementation. The guide concludes with important considerations for educators and a list of resources.

Examples of movement arts activities used at the Kendall Demonstration Elementary School, which serves hearing-impaired children, are offered. Movement Arts classes have a different theme each quarter such as holidays or deaf culture and heritage. (DB)

A movement therapy program for learning-disabled adolescents is described. It is explained that movement can provide a physical expression for the release of feelings. (PHR)

Describes how having students draw both their own and a literary character's reality not only introduces students, quite painlessly and concretely, to a large number of literary terms, but also suggests that literature appreciation demands an imaginative extension into the life of another. (MM)

Small groups of gifted high school students meet weekly during lunch periods to have topical discussions, with the goals of developing self-awareness and affirming capability. As the school year progresses, the group discussions become less structured, with more free-wheeling exchange. Topics include learning styles, stress, suicide, and college…

Dance in the physical education program allows students to express themselves while keeping fit. Aerobics is a good starting point for introducing dance into the curriculum. Suggestions for developing an aerobic dance unit are given. (DF)

The personal student journal is a little-used technique that holds special promise for instructors working in diverse educational settings. Journals can be used as an instructional tool for students, as a means for nurturing self-directed learning, and as a bridge to personal growth. (PP)

Dance for preschool children can be a vehicle for self-expression and for learning, but teachers must present material in the form of play. Ideas for teaching dance to three- to five-year-old children, such as the proper way to jump and skip, are presented, along with a sample lesson. (PP)

In one approach to French second-language instruction, students use free writing assignments to express themselves in their newly learned second language. The primary objective is to encourage students to use the language in a nonthreatening context; it also offers the teacher insights into student problems and needs. (MSE)

Journal-writing helps students (including those with disabilities) gain a clearer sense of self and increases teacher insight into student behavior. Suggestions are presented for teachers on preparing students to write and teaching them when, how, and what to write in their journals. (CB)

Poses several questions about some of the factors that contribute to creativity in humans. Provides a variety of possible psychological, cultural, and biological reasons for creative discoveries. Offers testimonies by several renowned artists, scientists, and psychologists. (TW)

Describes an art program for preschool children that includes four social dimensions of art in order to heighten aesthetic perception, improve artistic creativity, and nurture self-esteem. The social dimensions are children having power, children acting on norms legitimate in their own eyes, children functioning "nonestrangedly," and children…

The decision not to display graphic photographs of war to accompany a Montgomery College (Maryland) production of the Jean Anouilh play "Antigone," and related controversies over the use of facilities and faculty-college relations, are discussed. It is concluded that no episode of censorship on campus is minor. (MSE)

Working with teachers and artists from Florida to Maine, a drama educator has discovered that creative power and insight can emerge when using drama in the language arts classroom. One seventh-grade class began with simple warm-ups to loosen inhibitions and then moved into a unit that dealt with improvising using movement. A student who had hardly…

Using French, English, and Hungarian accents, and from 1 to 4 voices, students in a Hungarian French language class dramatized and presented 32 versions of a Guillaume d'Apollinaire poem. Factors that varied in the presentations included the number of participants, recitation patterns, tone of voice, props, and physical movement. (MSE)