How do dancers, drummers, and singers cultivate connections, collaborations, and co-becoming through dance-making and staging African dances in higher education? This critical question provoked inquiry into processes and experiences of creating and staging African dances in higher education contexts. Taking the philosophy of Ubuntu and the…

Using creative and performative methods is central to engaging children in fun and inspiring learning. This hands-on guide provides activities, quick tips and advice for developing performance and creative skills to support delivery of the Early Years Foundation Stage (EYFS). Each chapter focuses on a particular method, including storytelling,…

Globally, early years policies and documents have set out aspirational outcomes and benefits for children, their families and the wider society. These policies have emphasised the place of early childhood provision within the wider global agenda, by tackling inequality and disadvantage early on in children's lives. However, these strategies have…

The authors in this volume share exemplary arts-integration practices across the K-8 curriculum. Rather than providing formulas or scripts to be followed, they carefully describe how the arts provide an entry point for gaining insight into why and how students learn. The book includes rich and lively examples of public school teachers integrating…

Suggestions are offered for developing an original choreographic theme and types of foci that may be used in heightening and refining awareness of the elements within it. (MJB)

Intended for elementary school teachers who wish to implement a lesson on dance theater and dance as an art form to be used in conjunction with live performance, this guide offers classroom and extracurricular activities to teach children about various aspects of dance. Part 1 of the guide includes an introduction to Manhattan's City Center, a…

Lists the ways that children benefit from movement and dance activities and presents a lesson plan. (SJL)

Proposes that dance is a language with its own symbols, gestures, and aesthetics with the power to communicate complex ideas and thoughts. Outlines how discussion, analysis, and criticism can be crafted from three major elements of dance: (1) space; (2) time; and (3) energy. Asserts that students can learn to read dance as a visual text. (CFR)

A part of the New York City Board of Education Early Stages educational program, this activity packet was developed to assist teachers in preparing students for viewing the American Ballet Theatre's production of "The Nutcracker." The guide begins with a section on preparing for the performance, and includes information on the Early…

Examines the theories of Howard Gardner and Rudolf Laban as frameworks for exploring issues of creativity and dance education. Asserts that Gardner's theory of multiple intelligences and Laban's language for movement description provide a language for discussing creativity in dance. (CFR)

The content of children's dance is distinguished from movement education by its specific emphasis on the expressive and the aesthetic. (JD)

Suggestions are given for developing an effective creative dance program in an elementary class. (JD)

Music teachers can use folk dance to teach rhythm and meter. One of the richest collections of folk dances in the world comes from the Balkan region of southeastern Europe. A musical approach to folk dance is discussed, and four Balkan dances are described. (RM)

Kentucky Mountain Square Dancing is appropriate for all ages because it is easy to learn and fun to do. A brief overview of square dancing is presented in this article. An example is given that offers calls and directions to be used. (DF)

Clogging is a rhythmic dance that children enjoy watching and doing. This article discusses the history of clogging and suggests eight basic steps to be used in the physical education class. Clogging resources are included. (DF)