This paper presents a philosophical reflection on a first-year design studio, conducted as an experimental deviation from traditional 'all too human' models of architectural education. The pedagogical approach ventures into broader ethical concerns surrounding the nonhuman and the art of building. In the studio, familiar human standpoints were decentered through the art of storytelling, drawing insight from discourses in posthuman education and nonhuman narratology which were interweaved into the design and performance of a marionette theatre. Throughout the term, the theme and its methodological and representational challenges were carried out in three main acts: the marionette, the theatre and the performance--with an intermission assignment posed as a point of critical reflection. At differing scales, each phase prompted different considerations related to nonhuman characters, the audience, performer and performance. Instead of assessing the studio's outcomes within a positivistic framework, this paper presents portraits of student materializations from the semester. In this way, the results are framed heuristically, echoing the storytelling approach of the studio itself. Finally, a critical postscript reflects on a hypothetical direction for future studios.