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April Troglauer; Anna Morrison – Music Educators Journal, 2024
How can orchestra teachers diversify curricula to engage young musicians in project-based learning experiences that build their musicianship and confidence? This action research study explores how the author fostered project-based learning experiences that incorporated student reflection and assessment within chamber music ensembles. By…
Descriptors: Classical Music, Music Education, Music Activities, Music Teachers
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Emily M. Mercado; D. Michael Draut – Research Studies in Music Education, 2024
The purpose of this collaborative action research project was to examine eighth- and ninth-grade female (assigned at birth) students' perspectives of their singing voice when implementing a practitioner/researcher designed curriculum titled "Supporting Adolescent Female Vocal Development: Teaching Anatomy and Physiology in the Middle School…
Descriptors: Grade 9, Grade 8, Females, Singing
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Rolandson, David M. – Contributions to Music Education, 2020
The purpose of this study was to determine whether students who elect to enroll in popular music courses are influenced by different motivational factors than traditional large ensemble participants. A Musical Motivation Questionnaire was distributed to music students attending six high schools that offered both traditional large ensembles and…
Descriptors: High School Students, Student Motivation, Music Education, Music
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Kratus, John – Music Educators Journal, 2016
Songwriting is a form of composition that relates directly to adolescents' personal experience of music. This article provides a rationale for establishing courses in songwriting at the middle school and high school levels. Other topics in the article include curriculum development, instructional procedures, and assessment. The article ends with…
Descriptors: Music Education, Secondary School Curriculum, Singing, Musical Composition
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Kallio, Alexis Anja – International Journal of Music Education, 2017
Despite many music classrooms welcoming popular musics in striving towards an inclusive and democratic education, there has been relatively little research into teachers' decisions regarding which popular musics are included and which are excluded from classroom activities. This is of particular interest taking into account arguments that the…
Descriptors: Music Education, Popular Culture, Rock Music, Inclusion
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Barry, Nancy; Henry, Daniel – Contributions to Music Education, 2015
This study aimed to gain an in-depth perspective through examining how the conducting pedagogy of three selected exemplary high school and college instrumental music conductors function within the context of an actual rehearsal. A typical rehearsal was video recorded, followed by a "think-aloud" session in which the conductor viewed the…
Descriptors: Musicians, Music, Music Education, Administrators
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Tobias, Evan S. – International Journal of Music Education, 2015
In this case study, the author investigated intersections of secondary students' musical engagement in a Songwriting and Technology Class (STC) and outside of school. The study traces the experiences of three individual participants and three participant groups (six embedded cases in total) in the creation, performance, recording, and production…
Descriptors: Music, Music Education, Secondary School Students, Music Activities
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Robinson, Pip – Victorian Journal of Music Education, 2013
Informal learning practices, based on Lucy Green's research into how popular musicians learn, offer students in the music classroom the opportunity to explore collaborative, aural-based learning that is guided, rather than directed, by the teacher. Over a period of five years, informal learning projects were included in the music curricula of two…
Descriptors: Informal Education, Musicians, Music, Music Education
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Southcott, Jane; Crawford, Renee – Australasian Journal of Educational Technology, 2011
Recently, in Australia both the "National Review of School Music Education" and "The Australian Curriculum" identify the importance of technology in school music education. However, the understanding of music technology, as demonstrated by state and territory curricular guidelines, is limited with technology mostly recognised…
Descriptors: Foreign Countries, Curriculum Development, Music Education, Music