The author calls for continuity in the artistic and literary thinking of pupils from first grade until graduation. Students should not lose artistic appreciation in the scientific analysis of literary works. (AV)

Warns against a tendency to command Soviet educational reform from above without thought of practical results. Criticizes proceeding before priorities have been set or put into practice, and ignoring the need for a vehicle of reform, material, and labor resources. Urges the humanization of architectural education through study of art, the…

Characterizes aesthetic education in the Soviet Union as an increasingly important force in shaping ideological attitudes of children and young adults, providing a balance to intellectual development for all students, and increasing creative development. (Author/DB)

This extensive curriculum guide was written in conjunction with the San Diego Arts Festival of Soviet Arts in 1989. It aimed to provide teachers with insights and ideas about arts in the Soviet Union before, during, and after the Arts Festival. A curriculum model is presented at the beginning of the guide to illustrate how the lessons were…

Delineates the foundations of Dmitri Kabalevskii's music curriculum for general education in the Soviet Union. Stresses teaching music as part of life itself. Bases teaching principles and methods on the song, dance, and march, termed "The Three Whales." Offers extensive lesson plans focusing on first grade music activities. (CH)

A Soviet journalist interviews Dmitrii Kabalevskii, a renowned Soviet composer and educator concerning Kabalevskii's efforts to introduce a new music curriculum during the 1970s. Kabalevskii stresses building on students' experiences with music and encouraging creativity rather than formalistic training. Recounts the struggle against governmental…