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Taylor, Christine L. – ProQuest LLC, 2018
Multimodality describes the nature of social semiotics as including multiple modes such as speech, writing, image, gesture and sound. Accordingly, multimodal literacies refer to the practices and texts utilizing these modes, while social semiotics frames these multimodal literacies as meaningful sociocultural practices (Kress, 2010). Multimodal…
Descriptors: Mathematics Instruction, Multiple Literacies, Secondary School Students, Semiotics
Kathleen M. Maniaci – ProQuest LLC, 2020
As a visual arts educator, I understand the unique opportunities students have to learn by making, inventing, and creating, to communicate their ideas. The work of the New London Group (2000), the more recent National Core Arts Standards and the National Core Media Arts Standards (2014) and the New York Arts & Media Arts Standards (2017) have…
Descriptors: Art Education, Visual Arts, Mass Media, Multiple Literacies
Thomson, Catherine Todd – ProQuest LLC, 2017
With a shift towards 21st century literacy practices and a greater variety of literature, the mere definitions of literacy and text are shifting. The focus on traditional text that heavily relies on words and supporting pictures to convey meaning has changed to text of multiple modes. Teachers are now charged with fostering new skills in students…
Descriptors: Multiple Literacies, Picture Books, Qualitative Research, Case Studies
Goss, Stephen – ProQuest LLC, 2012
This ethnographic study of two classrooms examines to what extent, if at all, the introduction of multimodal and Digital Video composing as a literacy tool early in two teachers' careers had a transformative effect on their teaching and their students' learning. During long term participant observation in the classes of two English…
Descriptors: English Teachers, Teacher Attitudes, Technology Integration, Video Technology
Torrence, Michael L. – ProQuest LLC, 2009
The purpose of this ethnographic study was to examine Hip Hop in Poland through the lens of multiliteracies and situated learning. This analysis is concerned with the transmission of Hip Hop to and within Wroclaw, Poland, and its acculturation and assimilation in Wroclaw, Poland. Further, this study seeks to illustrate how professional Polish Hip…
Descriptors: Video Technology, Acculturation, Ethnography, Artists