Offers suggestions on ways to introduce a workshop audience (of faculty, teaching assistants, or new composition instructors) to composing as women. Discusses classroom structure, teaching the composing process, the rhetorical situation, designing writing assignments, teaching expository form, using peer review groups, responding to drafts,…

Presents a title-writing exercise which can be completed in class in 20 to 30 minutes. Asserts that the exercise works for many writers as a strategy for focusing and developing. (PRA)

Wrestles with the question of what kind of assignment to give to composition students at the University of Pittsburgh. Tries to strike a balance between critical reading and creativity, between work and play. Finds that "experimental writing" helps resolve the conflicts. Works to bring such writing into the classroom. (PA)

Discusses a process to guide students at various levels of writing ability to inquire into unfamiliar and often intimidating subject areas. Notes the process is based on a Piagetian learning cycle that asks students to identify areas of cognitive dissonance, and to engage in a conversation about ways of resolving their uncertainty. (RS)

Presents two journal exercises teachers can use to help their students develop and apply their cognitive skills. Asserts that the exercises help students to integrate what many consider to be dichotomous and frequently contradictory activities--feeling and thinking. Cites G. Lakoff and M. Johnson's "Metaphors We Live By" for the theoretical…

Describes the activity of soliciting material for and publishing a student-generated literary magazine. Demonstrates the ways in which the magazine was later used by various teachers for their class activities. Argues for the benefits of publishing student writing. (HB)

Describes a method of teaching professional expository writing skills in which a teacher wrote to real professional people, some famous, and asked them to become "clients" for first-year student researchers by requesting specific information. Argues for the feasibility and success of this project. (HB)

Argues that looking at students' uses of cliche in context can teach instructors about students' struggles to fashion new knowledge from what they already believe to be true. Examines students' most frequently used cliches. Suggests writing instructors who examine their response to cliche can learn how their pedagogical practices can deafen them…

Describes a strategy designed to encourage critical thinking by assigning students to research and write about complex topics. Argues that the instructor's inclusion of both supporting and challenging end comments can encourage critical thinking. Provides examples of both types of comments. (SG)

Describes a writing assignment that requires students to research and report on what it would be like to live on minimum wage. Explains that this assignment is not really any different than the traditional assignment, it is simply more obvious about its political content because it involves an inquiry into economics rather than literature or…

Describes a method of teaching writing founded on a concept of response papers based on the strong emotional reactions of students to assigned texts. Gives examples from several student papers, highlighting typical kinds of response. Argues for the response paper as a site for safe thought concerning difficult issues. (HB)

Suggests that using sociolinguistics as the subject of a semester-long course leads to real and exciting research rather than technically correct but lifeless "dummy runs" for real research in freshman composition courses. (MG)

Describes a course that resulted from the interest and need of the academic-advising office to serve undecided students more efficiently, preferably in a group-advising format. Finds that the resulting atmosphere seems to help students make significant progress in writing and in understanding their indecision. (MG)