Discusses the quality and value to students of recent Broadway plays. Noting that dramatic output is limited in size and content, recommends the use of an international English-language repertory for the education of young students. Cites British, Australian, Canadian, Caribbean, African and South African authors. (JG)

A teacher in the high school drama club recounts the experience of producing a controversial play about teenagers, "Sometimes I Wake Up in the Middle of the Night." Reports initial apprehensions and eventual satisfaction of actors, the drama coach, and audience members. (JG)

Describes a junior high school program offering drama as a course elective. Cites fairy tales, and Western or melodramatic plays as most effective for student involvement; recommends avoiding those about teenagers. Notes educational advantages of this program for handicapped, special education, disruptive, and low reading skills students. (JG)

Discusses the value of teaching and producing contemporary plays as well as classics in high school. Argues for the superior interest level of challenging, low-budget, relevant dramas recently appearing on the young adult scene, such as those by Jerome McDonough and Hindi Brooks. Includes an annotated bibliography of young adult drama. (JG)

Presents a dialog among three English teachers concerning teaching performance poetry to ninth graders. (RS)

Describes a junior high language arts curriculum project in which students played the parts of famous authors. Notes stages of preparation, including reading, researching biographies, practicing speaking skills, and understanding authors' viewpoints. (JG)

Describes how a new English teacher invited students to negotiate with him their course of study. Discusses setting the stage for negotiated learning, establishing ownership and building ensemble, clarifying expectations and rehearsing together, planning ahead and assessing the performance, helping students take on additional roles, and allowing…

Describes a number of class activities and student projects that the authors have used to teach the language and literature of peace in seventh- and eighth-grade reading and language arts classes, via theme-based units, interdisciplinary projects, and original theatrical student productions that celebrate language and literacy through the arts.…

Describes a classroom program in which students adapted and then produced a play based on the adolescent novel "The Chocolate War." Notes group improvisation strategies for adapting internal monologue to dialogue. Argues the advantages of such a project over class discussion and book reports. (JG)

Describes the "Postcards from America" project carried out by a class of high school students, all recent immigrants to the United States with little or no prior English. Discusses two events (an exhibit of students' photographs and writing, and a multimedia performance of nine performance pieces portraying personal stories of the immigrant…

Describes a program to help secondary school students develop speech skills by exploring social issues through role-playing. Notes that this method motivates discouraged students, reduces communication anxiety, improves research skills, fosters appropriate verbal and nonverbal skills, and stimulates affective learning. (JG)

Describes a teacher's experience teaching sixth grade drama in Britain, where drama is viewed as distinct from literature and stresses role playing. Outlines particular improvisation activities, scriptwriting projects, approaches to class discussion, and the use of dramatic activities to teach other subjects. (JG)