Considers how Frank O'Connor's "My Oedipus Complex" provides a good introduction to the subtleties of narrative voice and control. Concludes by considering the notion of control and its relation to the narrative point of view in O'Connor's story and how it bears directly upon the value of reading literature and the reader's role. (SG)

Discusses how in her 1981 novel "Obasan," Joy Kogawa recounts the saga of the internment and relocation of Japanese Canadians during and after the Second World War by juxtaposing the "factual" historic telling against the personal, "fictional" telling. Asks students to analyze a passage and consider such literary…

Discusses Margaret Atwood's "provocative and funny" short story "Rape Fantasies," and describes how, when teaching this story the author encourages students to sympathize with Estelle (the narrator) before they judge her (instead of rushing to achieve closure and begin interpretation). (SR)

Asserts that reading logs actively involve students in the reading/responding process. Describes the way reading logs fit into the course, a list of topics to give students ideas, and how to grade reading logs. (MS)

Notes that students can begin to learn that literature is not a dead art with no relevance to them by studying works that provide a wider context that will allow readers a new sense of the cultural milieu in which texts are written and read in conjunction with the ones in their course anthologies. (SC)

Considers how teaching John Updike's short story "A & P" to treat issues of class and gender provides practice in reading for multiple meanings. Discusses students' responses to the character "Sammy" and considers issues from personal response to reading the text. Notes multiple perspectives and ways of teaching "A & P." (SC)

Describes a journal writing activity designed to engage students in the exchange between text and reader. Argues that informal writing in a journal is a means of letting students find out that, if they engage themselves with a text, they will find it interesting. (RS)

Considers how reading Jane Tompkins'"Sensational Designs" helps foster a new appreciation of the ways in which students contribute to the creation of a literary work. Discusses how students responded to their semester-long study of various "neglected" 19th-century women writers. (SG)

Describes how the author uses reading response journals in her composition classes. Shows how it actively engages students in the reading/writing process, and how students learn careful, active reading and develop confidence generating ideas and formulating opinions via the structure, freedom, enhanced comprehension, critical thinking, and…

Reviews some of the basic notions of semiotics to show how they can be applied to composition teaching. (FL)