Early childhood is a time of great creativity. Building creativity into the learning environment should be natural, organic, as observant teachers follow the child. This article provide tools for building creativity through play across the creative arts including dramatic play, movement and dance, music, and visual arts. Additionally, play and…

The purpose of this action research study is to help students alleviate their anxiety and stress symptoms using activities based on Olivia Gude's postmodern principles. The activities included are the participants own take-along visual art journal kit and classroom projects. Professional learning outcomes include the knowledge to equip teachers…

This book is a teacher resource based on holistic education for those educators who want to go beyond "traditional approaches" but do not know how. The author places emphasis on the whole person (intellectual, physical, social, emotional, spiritual, and environmental) rather than the intellectual way of knowing. Written in an easy-to-read format,…

There are many interpretations for the symbols that are seen in rock art, but no decoding key has ever been discovered. This article describes one classroom's experiences with a lesson on rock art--making their rock art and developing their own personal symbols. This lesson allowed for creativity, while giving an opportunity for integration…

Notes that teachers at every grade level have discovered that engaging children in book making has the power to motivate even the most reluctant writers. Notes that most curricula for teaching writing ignore the role of visual images in the writing process. Contends that by creating a combination of graphics and written text, children engage in a…

Describes an art activity where children create imaginary character sculptures using clay. Discusses how the students created their creatures after first drawing their ideas and then painting their sculptures. (CMK)

Provides a reproduction of a painting called "Torpedo" by Roy Lichtenstein that was chosen because of facial expression. Includes learning activities for use with students as well as background information about the artist and the painting. (CMK)

The four content areas of discipline based art education (aesthetics, art criticism, art history, and art production) should be addressed in every art education unit planned and taught to students. All four content areas are addressed in the process of formal art criticism therefore every unit/lesson that utilizes a formal art criticism also…

Describes an art project suitable for middle and high school students in which they either combine identifiable parts from different animals to create one creature or take one animal and creatively distort it. Explains that this lesson enables students to be satisfied with their animal-inspired artwork. (CMK)

The document contains nine presentations and five miniworkshop papers from a teacher institute on expressive arts for exceptional children in the mainstream. The following titles and authors are represented: "The Educator and Mainstreaming--A State of Mind and a Set of Skills" (G. Bailey); "The Arts in the Mainstream" (G. Barlow); "The Emergence…

A project which involved 11th- and 12th-grade art students in creating a "Jackson Pollock type" lyrical action painting is described. As a result of the project, the students gained a freedom of expression which was evident in their subsequent art projects and a tolerance toward twentieth-century art. (RM)

Discusses the use of perspective, or showing things as the human eye sees them, when creating reflections and transparencies in works of art. Provides examples of artwork using transparency, reflection, and refraction by M. C. Escher, Richard Estes, and Janet Fish to give students an opportunity to learn about these three art techniques. (CMK)

Describes an activity in which fourth grade students created a three-dimensional representation of Vincent Van Gogh's room in Arles (France). Expounds that the students had to invent their own strategies for three-dimensional construction and two-dimensional embellishment. Provides directions for creating the room and bed. (CMK)

Describes an assignment that requires students to develop an original concept for their artwork where they utilize mixed media and repetition within their drawing as a starting point. Explains that students learn about principles of design and the frequency of repetition to satisfy compositional needs. (CMK)

Discusses the importance for teachers to question personal paradigms by changing their beliefs about teaching practices. Explains that instead of having second-grade students use bright colors to create African masks, students can develop their shading skills instead. Provides instructions for a lesson where students use pencil shading when…