The objects collected and displayed by museums may be connected with famous people, made by exceptional artists, natural specimens, or simple ordinary things that show what everyday life was like for most people. All these objects offer unique ways to learn about life in the United States and the world. In 1996 the Smithsonian Institution…

The first step in learning to appreciate art is learning to classify a work according to its primary purpose. The artist creates art for one of three reasons: to recreate the physical world (Imitationalism); to express an idea or feeling (Emotionalism); or to create an interesting design (Formalism). A classified work may then be critiqued by: (1)…

This unit, consisting of 12 multi-activity lessons, was designed to accompany a field trip to Walney, a park site near Centreville, Virginia, but may be adapted for independent use. The unit focuses on the task of an archaeologist. Archaeological sites, artifacts, and historical records are examined by students in order to develop an understanding…

This guide is designed to promote discussion of any photograph with students, whether encountered in the classroom, in textbooks, or in other school materials. The guide contains a one-page handout which uses Dorothea Lange's photograph "White Angel Breadline" to discuss 10 photographic elements: aesthetic elements, punctum, title,…

Objects are one way of understanding the world. This teacher's guide offers a method of analyzing objects that, once understood, can be applied in the classroom, on site, or in museums and galleries. Focus is upon artifacts rather than natural objects. Cross-curricular applications and teaching techniques are given. Sample exercises, discussion…

An exploration of the creative process in painting and musical composition, this kit, for use with grades 4-8, provides a structured plan that can extend over several class periods. In "Looking At Art," concentration is on one landscape painting with comparisons to related works. Historical and visual components are analyzed and works are placed…

This teacher's guide gives practical suggestions for engaging intermediate level students in a study of portraits, based on the assumption that through the image both the sitter and artist reveal something about themselves and the intended purpose of the portrait. Organized in four chapters, Chapter 1, "Talking to the Wall," looks at the…

Using different approaches when viewing art is critical because it provokes the viewer to go beyond a cursory glance and the influence of the historical period, and the influence of the culture in which it was created. In this resource kit three approaches to looking at art are examined including the examination of the elements of art, the…

Incorporating skills and procedures which students can use in many areas of the curriculum, this book, and accompanying "teacher's guide," provides interactive activities that are fun and that help students in grades 4 through 12 become critical viewers of television. The book provides homework activities that turn the normally wasted…

Contends that history teachers should help students develop critical viewing and thinking skills about visual images. Discusses the emerging practice of blurring the lines between entertainment and information in television, films, and other visual presentations. Provides two sets of questions to help students analyze documentaries, television…

Outlines classroom techniques for analyzing historical films and documentaries. Provides student materials to develop media literacy. Suggests that role-playing might be useful in stimulating student consideration of the actual production of a documentary. Emphasizes the transfer of critical insights developed in class to other media experiences.…

Classifies types of photographs, describing which are most effective in social studies and history instruction. Explores problems in textbooks' use of photographs. Outlines a six-step question model to help students make inferences when analyzing photographs. Develops three lessons using historical photographs to discover more about a photo's time…

Stresses that media literacy is a skill which can and must be learned in the classroom. Urges that media be placed on center stage not merely used as audio-visual aids. Lists eight statements which can serve as the basis of curricula concerned with media literacy. Suggests pedagogical approaches to the subject. (KO)

Presents a series of lesson plans analyzing four paintings. The lesson plans use discipline-based art-education principles to examine issues of racial, ethnic, social, and gender prejudice. The artists represented are Robert Gwathmey, Thomas Hart Benton, Eastman Johnson, and Jacob Lawrence. Includes color plates and background information. (MJP)

Shows how learning, in an art appreciation class, can be more meaningful and lasting by emphasizing expressive outcomes that develop during class and reflect students' life experiences. Explains how teachers can take advantage of students' spontaneously generated questions. Provides four examples from an undergraduate class that can be applied at…