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Thomas, Jackie – 1990
The four content areas of discipline based art education (aesthetics, art criticism, art history, and art production) should be addressed in every art education unit planned and taught to students. All four content areas are addressed in the process of formal art criticism therefore every unit/lesson that utilizes a formal art criticism also…
Descriptors: Art Activities, Art Criticism, Art Education, Art History
Topal, Cathy Weisman – 1992
This handbook demonstrates how studio art concepts may be broken down into their simplest level, thus, allowing preschool and elementary students to work with one particular concept and technique at a time. Teachers are encouraged to coordinate open-ended painting activities with major study units taking place in the classroom. The fourteen…
Descriptors: Aesthetics, Art Criticism, Art Education, Art Materials

Stinespring, John A; Steele, Brian D. – Art Education, 1993
Recommends using an activity-based approach to art history similar to that of the "new social studies" movement of the 1960s. Provides suggestions for activities related to art criticism, style, and inductive learning. Concludes that student activities can help integrate art history and studio art in art education programs. (CFR)
Descriptors: Art Activities, Art Appreciation, Art Criticism, Art Education

Laney, James D.; Moseley, Patricia A. – Social Studies Texan, 1995
Presents a sample lesson plan using Discipline Based Art Education (DBAE), an approach that integrates social studies with related content from other disciplines. The lesson plan combines economics, art history, aesthetics, and art criticism in its "Analysis of a Fresco Depicting Production in an American City." Includes follow-up…
Descriptors: Aesthetics, Art Criticism, Art History, Bibliographies

Jacobsen, Susan – Art Education, 1994
Contends that a work of art may have more than one story to tell and that the full meaning requires knowledge of the artist's background and culture. Presents four classroom lessons based on three paintings and a beaded belt. Includes full-page color photographs of the art works. (CFR)
Descriptors: Art Criticism, Art Education, Art History, Artists

Geahigan, George – Art Education, 1998
Identifies the essential features of critical inquiry and shows how it differs from the critical procedures often recommended by educators. Explains the implications of the inquiry process for teaching criticism. Provides a model of critical-inquiry instruction by suggesting three basic instructional strategies for teachers and describing an…
Descriptors: Art Appreciation, Art Criticism, Art Education, Concept Formation

Lee, Sun-Young – Art Education, 1993
Presents an instructional unit containing five activities centered around paintings by Leon Golub. Helps students understand the processes of art criticism and the social context in which art works are analyzed and criticized. Provides guidelines and questions for a comparative analysis of three contemporary art critics. (CFR)
Descriptors: Art Appreciation, Art Criticism, Art Education, Cultural Context

Cole, Elizabeth; Schaefer, Claire – Young Children, 1990
Presents a teaching approach developed by Edmund Feldman that encourages young children to talk about art through guided discussion. A dialogue with a small group of four- and five-year-olds about the painting, "The Countess of Sussex and Her Daughter," by Thomas Gainsborough, is included. (BB)
Descriptors: Art Appreciation, Art Criticism, Discussion (Teaching Technique), Preschool Children

Vallance, Elizabeth – Art Education, 1991
Seeks to introduce elementary and middle school students to cultural differences in artistic styles, and to develop students' critical skills by examining four different cultures' interpretations of a common subject, the fish. Provides several instructional strategies to strengthen students perception of works of art. (KM)
Descriptors: Art Appreciation, Art Criticism, Art Education, Art History

Yokley, Shirley Hayes – Art Education, 1999
Describes a "critical pedagogy" that encourages reflective self-examination of attitudes, values, and beliefs within historical and cultural critique. Highlights an art lesson for preservice teachers that illustrates the use of a critical pedagogy of representation, focusing on self-portraits by Frida Kahlo and Leonora Carrington. Discusses the…
Descriptors: Art Criticism, Art Education, Artists, Empowerment

Jones, Jean Ellen – Art Education, 1995
Proposes that teachers use make-believe and fantasy to motivate and assist students in addressing the art object. Provides suggestions for using both familiar and fantasy roles to develop skills and insights related to art criticism. (CFR)
Descriptors: Art Criticism, Art Education, Art Teachers, Classroom Techniques

Grisham, Esther E. – Art Education, 1993
Presents classroom lessons based on four self-portraits found in the Art Institute of Chicago. Provides background information, discussion questions, and activities for each portrait. Includes full-page color reproductions of the paintings. (CFR)
Descriptors: Art Criticism, Art Education, Art History, Class Activities

Arenas, Amelia – Art Education, 1990
Provides six lesson outlines to help teachers motivate high school students to discuss basic questions about the meaning and function of art, aesthetic responses cultural context, and artistic skill. Illustrates artwork from the Museum of Modern Art by Marcel Duchamp, Pablo Picasso, Jackson Pollock, and Meret Oppenheim. (KM)
Descriptors: Aesthetic Education, Art Activities, Art Appreciation, Art Criticism

McCarty-Procopio, Cathy; And Others – Art Education, 1991
Provides four sample activities and illustrations to develop students' perceptual skills. Seeks to help teach students that (1) understanding art takes time and effort; (2) personal reactions are important; (3) understanding the culture in which artworks are created is useful; and (4) many different approaches are available for understanding art.…
Descriptors: Art Activities, Art Appreciation, Art Criticism, Art Education

Johnson, Margaret H.; Cooper, Susan L. – Art Education, 1994
Asserts the importance of incorporating art criticism into art instruction to achieve quality art education. Presents and discusses art criticism formats. Includes three figures illustrating a typical student's written art criticism, that same assignment after teacher evaluation, and an example of a student gradebook. (CFR)
Descriptors: Art Criticism, Art Education, Discipline Based Art Education, Educational Strategies
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