Examines procedures derived from ordinary-language philosophy to help students learn to investigate conceptual issues in art. Sets out and analyzes three procedures relative to art education and makes suggestions for further research. Maintains that the principles and proficiencies in philosophical inquiry can be introduced and reinforced in all…

Some art educators believe that art should be studied for its own intrinsic value, while others believe that art instruction provides instrumental outcomes that are valuable beyond the acquisition of art knowledge and skills per se. This latter group of educators, known as instrumentalists, believe, for example, that the study of art promotes…

Explores the sources of art criticism and reviews some extant pedagogical models. Outlines the content skills to be developed and the role of art criticism in a discipline-based teacher training curriculum. Recommends that art criticism should incorporate pedagogy and other disciplines of art. (KM)

Reviews two curriculum frameworks--one developed by Elliot Eisner and Elizabeth Vallance and the second by Henry A. Giroux, Anthony N. Penna, and William F. Pinar--as a context for reconsidering conflicting notions about nature and purpose of art teaching. Discusses discipline-based art education (DBAE), suggesting that controversies over…

Aesthetic education offers instructional methodologies and subject area content that make art an important part of general education. Instruction in this area should emphasize artistic heritage and appreciation as well as production. Curriculum reform efforts are reviewed, and recommendations for changes in teacher education are made. (PP)

Argues that curriculum reform efforts related to the America 2000 program have ignored art education, particularly in the elementary schools. Describes the CREATES program, a field-based instructional project with visual arts, teaching/learning experiences for preservice teachers, inservice teachers, and elementary students. (CFR)

Discusses the visual arts in relation to cultural literacy. Agrees with E. D. Hirsch that even a superficial acquaintance with certain things can enhance understanding of many others. Propounds upon the general education of undergraduates. Considers what the goal of cultural literacy means for elementary, secondary, and college curricula. (KM)

Shows how discipline-based art education developed, and relates it to Thomas S. Kuhn's theory of paradigm shifts. Critiques Gilbert Clark, Michael Day, and W. Dwaine Greer's theory of disciplined-based art education and highlights mistaken notions in the inquiry methods of curriculum specialists. Concludes that art educators should focus on how…

An overview is provided of the history and current status of arts education in community colleges in Iowa and across the nation. After a brief history of art programs in higher education, the paper reviews research on course offerings, enrollment trends, student characteristics, and the role of the colleges as community cultural centers.…

Suggests that a social action position is needed to effect desirable changes in theory and practice of art education. Compares five goals of multicultural education with three feminist approaches to art teaching. Discusses how art teaching should incorporate theories about feminist aesthetics, social change, and women's art history. (KM)

Examines the style and content of evaluating student achievement in arts education. Considers student and teacher roles. Advocates formative rather than summative evaluation. Outlines Bennett Reimer's seven modes of interaction with the arts, seeking a vocabulary of arts assessment. Cautions against standardized testing in the arts. (KM)

A holistic approach to early childhood education requires attention not only to what we know about child development and its implications for teaching, but also to the content of the curriculum. This collection of chapters on research and practice on developmentally appropriate integrated curricula is combined in a manner to assist theorists,…