The term "Web 2.0"--a buzzword for a technological evolution that's been taking place online for some time--has many different definitions. In general, it refers to Web sites that go beyond simply presenting words and images, often allowing users to share information and collaborate in new ways. Content on the Web used to be largely static. One…

This paper examines and reports on beginning generalist teacher self-efficacy, which Bandura (1997) suggests plays an important part in student outcomes. In 2008, 201 beginning generalist teachers throughout the state of Queensland, Australia, participated in a study that aimed to provide a snapshot of current perceptions towards support in…

Music teachers who are young, female, and of minority ethnicity are more likely to leave their school or leave the music education profession altogether, according to recent research conducted by Carl Hancock, assistant professor of music education at the University of Alabama, Tuscaloosa. Hancock's study, "Music Teachers at Risk for Attrition and…

A special education teacher describes a successful class activity in songwriting for developmentally disabled students that has resulted in an album entitled "Special Music by Special Kids." (TE)

This essay addresses the ethical justification for arts education as a component of equal education. The paper traces evolution of equal education opportunity ideas in general and specifically as equal opportunity for arts education. While it is currently considered inequitable to provide an arts education to some and deny it or provide it in…

Justifications for the retention or expansion of offerings in music education include music's value in developing the individual's creative potential, awareness of cultural heritage, and aesthetic responsiveness. Music also serves as a therapeutic tool and as a focus for social and personal involvement. (PGD)

Oregon high school band directors worked out a set of state guidelines for high school bands. The guidelines, which comprise this article, contain rationales, expectations, and recommendations concerning athletic contests, marching contests, jazz ensembles, musical shows, parades, summer activities, and performances in general. (RM)

Discusses the impact of technology on music education and its implications for curriculum development. Recommends a curriculum for the musically gifted based on aural skills, electronic instructional tools, and a skilled musician as instructor. Offers suggestions on how this curriculum can be implemented and expounds on the use of electronic…

Discusses implementation of comprehensive musicianship in the Southern Region of the Contemporary Music Project's Institutes for Music in Contemporary Education (IMCE) from 1966 to 1968. Concludes that the program did not result in long-term changes in undergraduate music curricula. Explores reasons for the program's failure to produce lasting…

Some school systems are finding practical ways to enhance music programs. Experts suggest ways for schools to (1) build a marketing plan, (2) make it easier for children to participate in the music program, (3) provide reinforcement, and (4) publicize the program. (MLF)

Focuses on the types of research needed in general music education and the reasons for this research. Defines the place of general music in the curriculum, and examines influential constituencies for such education. Analyzes the state of general music in the schools, and assesses needed changes in the curriculum. (RW)

Music teachers are often evaluated solely in terms of classroom management skills and assembly programs. This article suggests observable, measurable ways for principals to assess elementary music teaching--contingent on children's demonstrable enjoyment and understanding of music. Paul Lehman adds eight reasons for music education, including…

Stresses that music teachers should be able to identify gifted and talented students for special programs. Explains some of the issues involved in the identification process, describes various types of data and data-gathering instruments that have been developed, and gives some general guidelines for setting up an identification procedure. (SLM)

Ideas for maintaining and advancing the K-12 music program during these times of tight money are described. (RM)

Looks at the institutional factors that may be related to the relatively high rate of turnover among college level music administrators. Reveals significant results in three instances: administrator turnover and reorganization within the unit, administrator length of service and reorganization, and length of service and reduction of nonacademic…