Humour is discussed in this article in relation to drama education in Ireland. Humour is identified as a potentially important feature of children's engagement in drama, and this is explained by an exploration of humour theory. Examples of how humour positively affects the experience of drama participation are also considered. The discussion is in…

This article strives to open a window on 'eco-humour', an umbrella term for diverse forms of humour targeting ecological and environmental issues. It encourages readers to consider eco-humour as a valuable, pedagogical toolkit for environmental education and communication. To this aim, eco-humour is, first, put into perspective of humour…

Bernie DeKoven is both a play theorist and a play practitioner. He is the author of "The Well-Played Game" (reissued in 2013 by MIT Press) as well as "Junkyard Sports," "Power Meetings," and "Connected Executives" and of the compact disc "Recess for the Soul," an assemblage of monologues about…

The connection between humor and aesthetic experience has already been recognized by several thinkers and aesthetic educators. For instance, humor theorist John Morreall writes that "humor is best understood as itself a kind of aesthetic experience, equal in value at least to any other kind of aesthetic experience." For Morreall, both humor and…

The author presents a well-structured argument for including humor and laughter in the classroom. He includes ideas and resources for nurturing humor. (MD)

Ten not-so-serious recommendations for policymakers based on the rationale that art education takes time away from the classes that prepare students for standardized tests. (Author/MLF)

Use of games in computer-based training (CBT) can enliven material, encourage discovery and experiential learning, and make visceral connections for learners. However, humor can offend or wear thin, and games can be perceived as playing rather than as learning. (JOW)

Describes a three-week summer course on humor for gifted high school students. Outlines 10 reasons for studying humor and describes the development of the course and activities during each of the three weeks. (DB)

Argues that the value of humor in a reading/language arts program may not be understood completely and may often be overlooked. Suggests that the use of humor is supportable by many learning theories and that it has probable affective and cognitive benefits. (FL)

Presents five articles on humor in early child care: (1) "What Makes Young Children Laugh?" (David Elkind); (2) "Humor as a Tool in the Workplace" (Jerry Parr); (3) "Vincent's Vignettes" (Vincent Duffy); (4) "Family Humor" (Bill Strader); and (5) "Books to Tickle Funny Bones" (Karen Stephens). (SD)

The use of comics in the classroom is examined as an aid for foreign language instruction, teaching English as a second language, and remediating learning disabilities. A selected bibliography is included. (CMV)

Suggests three levels of reading. The first is exemplified by E. D. Hirsch's prescriptive "cultural literacy." The second is interpretive, typified by the "strong reader." The third is critical and is best suited to dealing with the complexities of poetry. (ARH)