Studies intonation trends of wind instrumentalists with regard to harmonic intervals, including factors such as tuning system, location, interval type, direction of deviation from equal temperament, and group. Compares the performance of two groups, professionals and advanced students. Reports findings and discusses similarities to and differences…

Investigates the effect of movement instruction on beginning instrumentalists' steady beat perception, synchronization, and performance. Finds that a group receiving movement instruction did not perform significantly better than a control group at perception but did perform significantly better at synchronization and performance. Notes low,…

Attempts to identify and characterize patterns of expert teaching practice as they occur in context, and to confirm these patterns through processes of verification. Observes teacher Dorothy DeLay in her studio, documenting her teaching through notes, audiotapes, and contextual artifacts. Discusses DeLay's theory of proximal positioning in…

Presents a lesson plan for keyboard instruction excerpted from "Strategies for Teaching Middle-Level and High School Keyboard" (compiled by Martha Hilley and Tommie Pardue. Reston, VA: Music Educators National Conference, 1996). Provides objectives, materials, required background knowledge, procedures, evaluation indicators, and…

Examines the effects of contextual sight-singing and ear training on pitch and rhythm error detection abilities among undergraduate instrumental music education majors. Shows that additional training produced better error detection, particularly with rhythm errors and in one-part examples. Maintains that differences attributable to texture were…

Recommends commissioning new works as a challenging and motivating learning experience for high school and college bands. Includes several guidelines for negotiating costs and performance rights with the composer, as well as other technical details. Discusses specific problems arising from this arrangement and possible solutions. (MJP)

States that bass players should be allowed to play chamber music because it is an essential component to all string students' musical development. Expounds that bassists can successfully enjoy chamber music through participation in a bass ensemble. Gives suggestions on how to form a bass ensemble and on the repertoire of music. (CMK)

Provides guidelines to assist band directors in teaching beginning drummers. Includes auditioning prospective drummers and using an instructional method that has mallet and snare drum techniques taught concurrently in one book. Observes that by devoting time and effort to percussionist players, directors can eliminate "drummer syndrome"…

Examines the relationship between attitude toward band participation, beginning instruction grade, and grade-level organization (split or unified) by surveying seventh-grade students from 45 schools. Finds significant interactions among the three variables as well as with the type of instrument played. Relates the findings to previous research on…

Frank Leto, a professional musician and a Montessori teacher, discusses his professional music career, family, the arts in Montessori education, the lifestyle of a professional musician, writing children's songs, and percussion instruments. Provides advice for teachers of music. (SD)

Finds a number of Beethoven's military marches in contemporary arrangements. Although greatly revered for his classical music, Beethoven composed a variety of excellent marches. Usually penned for a specific historic occasion, they fit well into interdisciplinary study units and add variety and color to local music programs. (MJP)

Presents three lesson plans designed to work in conjunction with a live broadcast of the New York Philharmonic (may be available on videotape). The activities include identifying influences and components of works by Dvorak and Tchaikovsky. Includes a roster of the New York Philharmonic along with background material. (MJP)

Investigates the effects of conducting instruction on beginning band students' individual rhythmic performance, group rhythmic performance, group performance of legato and staccato, and group performance of phrasing and dynamics. The students represented diverse ethnic and cultural backgrounds. Concludes the conducting instruction is a useful tool…

Provides a introduction and overview to alternative music notation systems. Describes guitar tablature, accordion tablature, klavarskribo (a keyboard notational system developed by Cornelius Pot, a Dutch engineer), and the digital piano roll. Briefly discusses the history of notation reform and current efforts. Includes examples from scores. (MJP)

Maintains that the ability and experience of improvisation is an essential component in young musicians' education. Discusses one teacher's trial-and-error efforts in introducing improvisational exercises into her students classical training. Includes a list of resources and representative musical examples. (MJP)