Offers information about aesthetic films, their study in class as an art form, and the procurement of such works from the Media Center for Children in New York. Compares film to literature and contrasts the language of film with verbal language. Lists some of the best films tested with children and film distributors. Outlines film discussion…

Presents five guidelines for developing an analytical approach to studying culture at a distance through feature films. The choice of films, questions to ask, and how to identify specialists to conduct the analysis are discussed. (BK)

Discusses how film offers a vehicle for observation and imitation, providing writers with a more accurate image of how they perform. Refers to three films: "Before the First Word", "Telling an Old Story", and "Pieces of a Puzzle" that have become the basis for insightful and fruitful discussions about writing. (JK)

Describes a film study program to help students open up to the beauty that exists around them. Notes that key ingredients of the program are a linkage between the films shown and the asking of probing questions. (RL)

Suggests a simple, adaptable pattern for teaching the grammar of films and television, i.e., its agreed conventions of vocabulary and syntax. A variety of feature-length films and extracts are listed to illustrate the concepts being taught as well as film distributors and addresses. (MBR)

Discusses film-oriented writing classes as a way of expanding student vocabularies and illustrating such literary devices as metaphor, irony, and imagery. Offers guidelines for writing instructors wishing to add films to a course plan, using "King Kong,""The Godfather," and "One Flew Over the Cuckoo's Nest" as examples. (DMM)

Suggests a method of tapping students' visual literacy to reach four interconnected pedagogical aims by using a brief film segment in conjunction with a series of writings tasks. Offers two additional incentives regarding teacher's knowledge of film and the necessary element of play to keep students engaged. (JK)

Presents a sample of college and university screenwriting programs for writers and directors. Includes opinions of faculty and professionals in the field of writing on the specific objectives of screenwriting courses, as well as methods of teaching. (JMF)

Describes the Danish Film School's program in screenwriting. Three faculty members offer insights into their objectives in teaching and the emphasis they each place on various aspects of writing. (JMF)

Discusses the following principles for developing literature and film courses: (1) instructors should have goals for the course and understand and know how to achieve them; (2) works should be chosen for their quality, not popularity; and (3) instructors should be expert in film, literature, or both. (AYC)

Popular films are useful aids for teaching history. Not only do they teach students about a particular period of history, they also help students understand the era in which the films were produced. Historical films are categorized and sources for rentals are given. (IS)

Shows how English teachers can use film to upgrade the literary consciousness of theatre goer and reader alike. (RL)

Explores the use of film in the instruction of remedial writing. Suggests creating exemplification essays approaching but not producing a filmic screenplay by incorporating narrative and technical cinematic techniques (shooting script terms) and conventions of visualization to produce both a piece of "exposition" and an act of…

There are numerous ways to structure the introduction to film course so as to meet the needs of the different types of students who typically enroll. Assuming there is no production component in the course, the teacher is left with two major approaches to choose from--historical and aesthetic. The units in the course will typically be built around…

Details the Vienna Film School's program, including outlines of courses offered and projects required. Highlights the suggestions of three professional film directors who teach the program and a student participant. (JMF)