Describes one teacher's difficulty in getting his eighth-grade students to revise their writing. Discusses his successful use of writing "skeletons" to help define what revision is and to teach a structure for one type of revision. (SR)

Presents and explains a framework that can be used to determine the potential authenticity of teaching practices. Describes the potential for authenticity offered by thematic literacy instruction. (SR)

Pupils need to express themselves in creative processes and products in the language arts curriculum. Too frequently, teachers require behavior which involves conformity on the part of learners. Specific objectives many times delimit pupils' opportunities to express original ideas that come from within the involved learners. Many activities can…

Describes what business plans are and how educators can use them in class for a team writing assignment. (RS)

For both reading and writing, context and perspective are everything; Ann Berthoff suggests that students "write continuously in a double-entry notebook." One instructor has utilized Berthoff's double-entry notebook in a technical writing class and finds that this classroom practice has also been informed by other theories inquiring into…

Suggests that an effective way to develop students' writing abilities is to teach writing through journalism. Discusses the successes the author has had in incorporating journalistic writing strategies into elementary and secondary English/language arts classrooms. (RS)

Proposes a turn toward "social-process rhetorical inquiry" in composition, a turn that requires further pedagogical adaptations of cultural studies methodologies in writing classrooms. Notes that the social-process heuristic is based on a cyclical model of writing processes, a model comprising cultural production, contextual…

Writing is a fundamental skill for students to develop. A learning environment should be in evidence which assists students to achieve more optimally in writing. Writing activities should be interesting, purposeful, meaningful, and provide for individual differences. Students need stimulating learning opportunities involving a variety of purposes…

In "Rhetoric, Discovery and Change" (1970), R. Young, A. Becker, and K. Pike took Carl Rogers' empathetic approach out of the context of one-on-one therapy and put it into the writing classroom. They proposed the now standard formulaic structure of argumentation which emphasizes a strong thesis up front, a detailed account of the…

Pupils should participate in numerous forms and kinds of writing activities involving poetry and should hear, read, and write different forms and kinds of prose. Types of poetry that pupils can write include couplets, triplets, quatrains, limericks, free verse, haiku, and diamante. The ingredients that all types of poetry might have include…

Considers how English teachers, by building a complementary relationship with the workplace, can prepare students better for success in the coming century. Focuses on ways of revolutionizing writing instruction with real world problems. Discusses three examples of real workplace projects demonstrating the notion of writing as problem solving. (HB)

Describes learning log assignments for college students in a developmental studies program. Notes that the assignments call for students to reflect on specific cognitive aspects of learning giving them the opportunity to explore their own thinking, evaluate their own progress, and promote metacognitive awareness. Describes learning log assignments…

Describes a several-step class activity involving 3-D art and essays which at-risk students carry out with success and enthusiasm. Notes how the project is attentive to learning styles and good motivational techniques. (SR)

Examines the use and various kinds of writing undertaken by people in different professions. Outlines an activity in which students write to famous people and inquire about the kind of writing they do in their everyday lives. Shows how this activity stimulates and inspires students. (HB)

Uses examples from the author's experiences writing books for young adults to show the power of literature to see through someone else's eyes and feel through their skin. Offers suggestions for teachers for ways students can take part in the life of the language, shape it, and discover the vitality of the printed page. (SR)