It is a mainstream view within the ontology of art that there are singular as well as multiple artworks, but it is also a view that is contested. In this article, the author investigates whether the singular/multiple distinction can be sustained and argues for a new way to determine the category to which an artwork belongs. The author stresses…

Among the harshest critiques ever received during my doctoral coursework came from a professor who was noticeably perturbed that I had researched and written a paper on an artwork without considering the title in the interpretation and analysis of the work. The professor insisted that the title is necessary to understand the piece. As a diligent…

Discusses intellectual issues involved in the indexing of visual images, postulating that the indexing of images should provide access to images based on the attributes of those images and provide access to useful groupings of images. Four categories of image attributes are described, and issues to be considered in creating groups are discussed.…

This paper contends that the conventional ways in which art is accounted for exclude all but the interests of the dominant social group and effectively defeat many of the initiatives that have been taken in the field over the last three decades to account for the values, aspirations, and beliefs of minority groups. The paper attempts to show how…

What images should we study? Which have value? Which are significant? These questions lie at the heart of one of the most critical issues in art education today in the debate over whether the field should maintain a narrow focus on fine art or expand its scope to include all of visual culture. In this article, I argue for the inclusion of…