In this interview Dr. Bruce Ballenger and I discuss his career, his many textbooks on writing, his recent collaboration on an extensive study of the revision processes of advanced writers, and the challenges of balancing a career with a foot in multiple academic fields (i.e. composition and rhetoric and creative writing). Dr. Ballenger retired…

In this article, the author asserts that whether we write creatively or academically (or both) it takes time to understand the reasons why we "want" to write, and the more we write, the more we fully begin to appreciate why we have to write in the ?rst place. From an early age, nearly every day, Rachel Hains-Wesson actively participated in…

This article describes LIT 730: Teaching Composition, a three-credit graduate seminar in American University's Department of Literature for master's-degree students interested in teaching composition. The Literature Department offers both an MA in Literature and an MFA in Creative Writing, and attracts applicants with a flexible "teaching…

One of the most important contributions of writer-teacher Wendy Bishop was to argue for the interconnectedness of creative writing and composition studies. By doing so, Bishop insisted on the importance of studying what writers do when they write. Because her pedagogy was driven by reports of individuals from a culture that had seldom been heard…

Because Dominique (or D-Mon, as he liked to be called) had drill before class, he would sometimes come in late in the author's class, his army boots silently moving across the tile as though he were trying to sneak by a sentry. The army fatigues that he wore were supposed to help him blend into a desert landscape, a tan-and-brown world of sand. In…

In "Bird by Bird", Anne Lamott compares writing to a tea ceremony: "That thing you had to force yourself to do--the actual act of writing, turns out to be the best part. It's like discovering that while you thought you needed the tea ceremony for the caffeine, what you really needed was the tea ceremony. The act of writing turns out to be its own…

For academics committed to the idea of an all-round aesthetic education, one of the great successes of the last thirty years has been the tremendous expansion of creative writing classes. Despite the dramatic expansion of creative writing as an academic discipline, the methods, ideals, and values of creative writing workshops have very often been…

In this article, the author argues that if we want teachers to help students develop voice and fluency as writers, we need to provide opportunities for teachers to engage in the same kind of work. In a course called "Writing, Reading and Teaching Poetry" that is part of the Master's Degree program in English Education at Lehman…

Narrates the deterioration of a hyper-meticulous gardener in Austin, Texas, whose rage for order by day, and dionysian revels by night come into conflict when he must accept the botanical engineer of the month award at an evening banquet. Offers the story as an allegorical disclaimer of classical syllogistic reasoning. (JG)

Provides background information on writer and teacher Meredith Sue Willis. (FL)

Provides background on poet, fiction writer, and teacher Alan Ziegler. (FL)

An interview with a well-known writer reveals how he writes and how he feels about the way writing is being taught. (FL)

Argues for expanded definitions of "creative writing" and the "creative writer." Shows how recent theories of creativity with an emphasis on problem finding can enhance composition pedagogy. (SR)

Relates the experiences of a poet who helped 30 10-year-old children write and understand poetry. Contains examples of the students' work. (FL)

Relates the experiences of a poet visiting and teaching in three Alaskan villages. (RL)