The connection between humor and aesthetic experience has already been recognized by several thinkers and aesthetic educators. For instance, humor theorist John Morreall writes that "humor is best understood as itself a kind of aesthetic experience, equal in value at least to any other kind of aesthetic experience." For Morreall, both humor and…

Ten not-so-serious recommendations for policymakers based on the rationale that art education takes time away from the classes that prepare students for standardized tests. (Author/MLF)

Use of games in computer-based training (CBT) can enliven material, encourage discovery and experiential learning, and make visceral connections for learners. However, humor can offend or wear thin, and games can be perceived as playing rather than as learning. (JOW)

Argues that the value of humor in a reading/language arts program may not be understood completely and may often be overlooked. Suggests that the use of humor is supportable by many learning theories and that it has probable affective and cognitive benefits. (FL)

Suggests three levels of reading. The first is exemplified by E. D. Hirsch's prescriptive "cultural literacy." The second is interpretive, typified by the "strong reader." The third is critical and is best suited to dealing with the complexities of poetry. (ARH)

Educational researchers can provide unusual perspectives to their research if they include humor and irony. Looking at topics from the reverse (the critical attitude, the aesthetic perspective) allows researchers to see patterns, details, and meanings which are normally hidden from view. This aesthetic perspective enables artists, critics, and…