In his 1982 response to the myth that "creativity is too difficult to measure," Dr. Joe Khatena (a long-time contributor to the literature on creativity), characterized creativity as the "most exciting dimension of mental functioning." Building on a three-dimensional view of creativity (emphasizing the "individual," the "environment," and the…

The author suggests that, although measuring creativity is a challenge, it is not impossible. Measures of the creative process are available, such as the Torrance Tests of Creative Thinking. (CL)

This article argues that creativity tests are best thought of as measures of creative potential because creative achievement depends on additional factors not measured by creativity tests, such as technical skill, field knowledge, mental health, and opportunity. The need for assessment to be based on several tests is emphasized. (Contains…

This paper focuses on the scholarship of integration in the field of education and argues that although it has gradually been moving into the mainstream of educational research, it is all too often judged on the basis of criteria more applicable to assess the scholarship of discovery. First, I examine the questions: what constitutes original…

Whether the aim has been to understand the nature of creativity or to determine its development, researchers have formulated a number of measures of creativity. A glut of results and conclusions actually hinders an educational understanding of the term creativity. The most widely known tests of creativity incorporate divergent-thinking, as opposed…

Discusses problems in evaluating artistic ability, changing views on the appropriate content and methods for art education, and new research that reveals relationships between artistic and other intellectual abilities; briefly notes several studies on art programs for the gifted and talented. (MCG)

The use of IQ scores as criteria for entry into gifted programs is criticized. Difficulties in test interpretation are noted, as are factors biasing the performance of culturally different students. The author cites flaws with intelligence, achievement, and creativity tests and suggests that locally designed and normal methods are preferable. (CL)

Discusses changes in the field of educational technology from a mechanistic to a more humanistic view, and highlights the importance of interpersonal skills through three studies conducted in the British Open University: one dealing with instructional development, one with the evaluation of teaching and teaching systems, and one with the fostering…

This article presents an analysis of patterns of giftedness based on the triarchic theory of intelligence. The analysis distinguishes among seven different patterns of giftedness and includes: the Analyzer, the Creator, the Practitioner, the Analytical Creator, the Analytical Practitioners, the Creative Practitioner, and the Consummate Balancer.…

Curriculum reform should recapture meaning in education, return childhood to children, and emphasize exploratory activity and analogic cognitive processes. (Author/MLF)

Business leaders are taking on a new role in school improvement. Advocates of arts education must understand the concerns business leaders have about schools, and develop effective solutions. Concerns include developing creativity and productivity for the competitive global economy, setting educational standards, and developing meaningful new…

Describes the experiences of a student teacher who worked with two art teachers with contrasting ideas on how to structure their art instruction. Examines goal setting for student teaching, the role of the cooperating teacher, advantages and disadvantages of having the student teacher in the classroom, and evaluation procedures. (KM)

This paper is a reflection on the process of dance choreography, an assignment for pedagogical evaluation at postgraduate level in an Indian university. It is also a recapitulation and reconstruction of my experiences while undergoing a Master's course in Bharatanatyam (a style of classical dance) in the Centre for Performing Arts (CPA),…

Arts education and its assessment are discussed, with particular emphasis on the visual arts. Suggestions are made concerning the role of the National Assessment of Educational Progress (NAEP) in the arts. The curriculum which is presented in art education varies a great deal among schools. The assessment of art should include production,…

Presents a simulated dialog among an art teacher, a school principal, and a school board member on student evaluation. Discusses issues related to the evaluation of art products as opposed to evaluation of student learning in art history and art criticism. Outlines issues of evaluating student creativity. (CFR)