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Avgerinou, Maria D. – TechTrends: Linking Research and Practice to Improve Learning, 2009
In this article, the author has advanced the view that the world is currently on the threshold of a new status quo--the hegemony of the image. Yet, this seems a mixed blessing, for people, and especially young people, are not equipped with the necessary critical viewing and thinking skills to survive it. Nevertheless, this unfortunate situation…
Descriptors: Definitions, Critical Viewing, Lifelong Learning, Visual Literacy
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Rothman, William; Keane, Marian – Journal of Film and Video, 1997
Discusses the value to film studies of a 1971 publication, "The World Viewed," a serious study of film which was not well received by the field and whose usefulness is still almost unknown. Finds that the author, Stanley Cavell, endeavors to find words of a common language and that his writings exemplify the importance of intuition and…
Descriptors: Critical Viewing, Film Criticism, Film Study, Higher Education
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Mortimer, Barbara – Journal of Film and Video, 1997
Argues that a postmodern theory of identity (i.e., the subject as coherent, integrated, discoverable self is a fiction of modernity) links Martin Scorsese's major films. Examines "Taxi Driver,""Raging Bull," and "King of Comedy." Concludes that these films articulate a major cultural shift and chronicle a…
Descriptors: Auteurism, Critical Viewing, Cultural Context, Film Criticism
Frith, Luci A. – 2002
In "The Hero's Journey" Joseph Campbell identifies the patterns that inform the myths of the "hero" throughout recorded history. By using Campbell's template, this paper examines how the American war hero is portrayed and has been portrayed in film. The paper states that Americans not only define their war heroes in films but…
Descriptors: Characterization, Critical Viewing, Cultural Context, Film Criticism
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Metros, Susan E.; Woolsey, Kristina – EDUCAUSE Review, 2006
Academics have a long history of claiming and defending the superiority of verbal over visual for representing knowledge. By dismissing imagery as mere decoration, they have upheld the sanctity of print for academic discourse. However, in the last decade, digital technologies have broken down the barriers between words and pictures, and many of…
Descriptors: Educational Technology, Higher Education, Visual Aids, Instructional Materials
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Tremonte, Colleen M. – Journal of Teaching Writing, 1995
Argues for the use of film in composition classes. Provides a system of inquiry for students that is both dialogic and generative, one that enables them to critique movies and see them not as a repository of ideologies and values but as an apparatus for producing meaning. (TB)
Descriptors: Critical Theory, Critical Viewing, Film Criticism, Films
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Dubin, Steven C. – Review of Education, Pedagogy & Cultural Studies, 1995
Discusses the reaction of feminist students at Vanderbilt University (Tennessee) to a photograph, "Heaven and Hell" (A. Serrano), on the cover of the book "Arresting Images: Impolitic Art and Uncivil Actions" (S. Dubin). Their position that the photograph promotes violence toward women is one interpretation; another is that it…
Descriptors: Activism, Aesthetic Values, Art Criticism, College Students
Semali, Ladislaus M. – 1995
The teaching of media texts as a form of textual construction is embedded in the assumption that audiences bring individual preexisting dispositions even though the media may contribute to their shaping of basic attitudes, beliefs, values, and behavior. As summed up by D. Lusted, at the core of such textual construction are basic assumptions that…
Descriptors: Critical Thinking, Critical Viewing, Elementary Secondary Education, Higher Education
Miller, Richard E. – 1990
Students in a "Literature and Ideas" introductory literature course at the University of Pittsburgh gathered a wide variety of interviews, articles, and other texts that circulated around the film "Dangerous Liaisons" to build a shared text on the popular reception of the film. One student, in particular, made sense of the work…
Descriptors: Class Activities, Classroom Environment, Critical Viewing, Films
Oseguera, A. Anthony – 1990
The communication technologies of television and common carriers have an important correlativity to message formation, due to their ability to bring the public information at lightning speed. Historicity, the science of writing history, can be used by the television critic in order to critique national and international broadcasting. Blacks,…
Descriptors: Audiences, Critical Viewing, Criticism, Developing Nations
Garrelts, George – Momentum, 1996
Argues that films and documentaries are useful in promoting critical analysis and classroom discussion. Discusses films that are effective teaching tools. Warns that some films may provide only one side of a story, and teachers must be careful to present a balanced discussion. Includes sources for obtaining these films. (AJL)
Descriptors: Aesthetic Education, Classroom Techniques, Content Analysis, Critical Viewing
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Reyes, Xae Alicia; Rios, Diana I. – Journal of Latinos and Education, 2003
The impact of mass media on public images of teachers and students is considered in a dialogue between two educational and mass media researchers. Stereotypes in films, such as teacher-savior and student-failure, and abundant reports about Latino dropout rates and low academic achievement impact teachers and the public, who accept negative images…
Descriptors: Critical Viewing, Cultural Images, Elementary Secondary Education, Ethnic Stereotypes
Ritchey, David – 1995
Opening in 1981 to moviegoers in Japan, France, and the United States, "The Gods Must Be Crazy" became an international hit. Set in Botswana, the film covers a relatively small geographic area yet nevertheless can open classroom discussions about how many cultures and how much cultural diversity can exist in a small area. It has three…
Descriptors: Audience Response, Critical Viewing, Cultural Awareness, Cultural Differences
Kerns, H. Dan – 1993
The state of the motion picture industry is reviewed, focusing on needed change in the practice of product placement. The study of the placements of advertising in films should be of interest to the student of visual literacy. Product placers are using films to advertise their products to entertainment seekers. The viewer, often a child, may not…
Descriptors: Advertising, Auteurism, Consumer Education, Consumer Protection
Harris, Joseph – 1991
Everyone sees through advertisements, yet no one is immune from their appeal. In a writing class the students were able to look at ads without being injured or seduced by them, but doubted that others could do the same. It is important to encourage students to discuss what they actually think about writings rather than what they are supposed to…
Descriptors: Advertising, Critical Reading, Critical Viewing, Descriptive Writing
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