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Cech, John – Horn Book Magazine, 1986
Shows how qualities of M. Sendak's works make it adaptable to the stage, using such works as "Where the Wild Things Are" and "Higglety Pigglety Pop!" as examples. (EL)
Descriptors: Authors, Childrens Literature, Fiction, Opera
Peer reviewedParrent, Amy – Music Educators Journal, 1980
The author describes the evolution of the American musical since 1750 and emphasizes the often overlooked importance of the orchestrator. She discusses the talents of several extraordinarily gifted musicians. (KC)
Descriptors: Biographies, Music Techniques, Musical Composition, Musical Instruments
New York Univ., NY. School of the Arts. – 1981
Included in this set of proceedings are a keynote address on the state of the art of cable television and the future of the television economy by Les Brown, editor-in-chief of "Channels" magazine; panel discussions on the structure of the cable television industry; the potential market for cable television arts programming; the birth and…
Descriptors: Audiences, Broadcast Industry, Cable Television, Copyrights
Peer reviewedOsborne, Conrad L. – Music Educators Journal, 1979
The author criticizes the institutons of opera education by delineating the inadequate performance skills often found in their graduates. He makes suggestions for change in opera training systems and professional standards. Part of a theme issue on opera. (SJL)
Descriptors: Acting, Applied Music, Educational Change, Higher Education
