The authors--drawing on their varied experiences as authors and publishers of a journal and several book series--provide a historical review and consideration of peer review in publishing. They find that scholarly peer review, from the question of signed reviews to the practices of digital publications, is in the midst of change, but that at the…

Discusses three measures of process assessment, describing checklists, conferences, and self-assessment that focus on the writing process and what writers do as they write. (SR)

Explains how a teacher teaches process writing in her mainstream high school classes, despite her obligation to cover grammar, literature, vocabulary, research, and communication. Shows how some approaches to process writing can be modified to fit it into a tighter, more structured course. (TB)

Peter Medway recounts the beginnings of the language across the curriculum (LAC) movement in Britain in the 1950s and 1960s when teachers were troubled by their encounters with bright but non-academic working-class children who failed in school and yet whose verbal resourcefulness and fertility were an inescapable fact. Thus teachers were led to…

Argues that, during writing instruction, students must be given the opportunity to go public with their composing processes. Discusses the theoretical structure of Robert Zoellner's pedagogy, and recommends its use for teaching the writing process. (PRA)

Examines a range of writing textbooks. Finds that many composition textbooks trivialize or misrepresent writing as process and process pedagogy. Outlines how composition theory becomes commodified. Calls for a radical revision of textbooks, including teachers helping students create their own texts. (HB)

Examines the work of Janet Emig, particularly "The Composing Processes of Twelfth Graders," as a means of gaining historical insight into the process movement in writing today. (TB)

Argues the relative merits of using in-process and retrospective journals, during and after the writing process, to empower students to explore and use their own ways of constructing knowledge to make connections as they write. (KEH)

Claims that teachers expect children's writing to conform to acceptable content and form, disregarding the "mysterious" and unconventional aspects of writing. Urges teachers to maintain respect both for the complexity of children's thoughts and feelings and for the ambiguity that remains at the heart of any creative work. (MM)

Asserts that there is a need for writing teachers to reevaluate the metaphors they use to think about composition. Retraces the steps taken by Robert Zoellner in 1969 to reconsider the instrumental metaphors used by composition theories in the 1990s. Offers a criticism of the writing process model proposed by Linda Flower and John Hayes. (PRA)

Shares the experiences of one writer and how children have shown her the many ways of creating a story. Shares methods of helping children find a voice for the stories they have to tell. (MG)

Shows how paying attention to specific insights from the quality movement can help writing teachers rethink their own approaches to writing processes and resist the corporate takeover of institutions and students' minds. Suggests teachers revitalize their thinking about process. Discusses resisting the system. Concludes that a process approach…

The degree to which process writing deconstructs traditional notions about a fixed final product came to the attention of a high school instructor and her students when they attempted to select their best "essays" for a contest the school was holding. The students in this class found that some of their best writing occurred not in their…

States the importance of content in the process writing classroom. Demonstrates with "cultural texts" (texts about the daily realities of the students on topics of domesticity and family, violence, evolving sexuality, and future aspirations) that not only how children write, but also what they write about, is of critical importance in helping them…

A new theoretical paradigm for teaching writing and organizing composition research was at hand by 1982, focusing on how writers write and the practice of interventionist teaching. Today, the process theory of teaching composition dominates the field, yet it has not shifted teaching practices or research questions toward the settings and…