Argues that a writing-across-the-curriculum program should be designed, administered, and taught equally by all departments in a university. Stresses the importance of developing a dialogic program, with creative interaction between faculty members from various disciplines and between students and professors. (ARH)

Suggests that, because English teachers are often more knowledgeable about composition theory and pedagogy, English departments should house writing-across-the-curriculum programs. (ARH)

Proposes a model for writing program administrators to use to assess the effectiveness of composition programs. Argues the need to consider local conditions, evaluate the internal coherence of programs, and consider the external relevance of programs. Describes how using this model led the Writing Center at Northern Arizona University to make…

The Introductory Writing Programs developed for freshman students at Northeastern University are described in this document. The introduction outlines the programs' philosophy, which is based on the notion that all writers are developing writers regardless of their ability. The second section looks at how students are placed in either Freshman…

Arguing that practice without theory is destructive, this books deals with the theory, philosophy, and application of a variety of subjects within the area of composition. The nine chapters of the first section of the book constitute a state-of-the-art essay and discuss such topics as J. Emig's 1971 study of the composing process and the more…