Discusses how to teach the expressive aspects of music more effectively. For example, teachers can use verbal imagery to communicate how music is expressive of the human condition. Students should be encouraged to experiment with the possibilities of musical expression and allowed to choose their own mode of expression. (AM)

Defines assertive, nonassertive, and aggressive behavior. Discusses assertiveness training as a technique for self-growth, staff development, and teacher effectiveness. (SK)

Claims students should be allowed to rank, rerank, and reshuffle thinking and then share their views with class members regarding poetry and poets before formal criticism is thrust upon them, and suggests teachers should be careful not to over-analyze and tell students about a poem's significance. (NH)

A British educator discusses the role of self-expressive talk in the learning process and the influence of teacher attitudes on learning through language. (HTH)

A former gifted pupil shares ideas based on her own experiences in dealing with motivation, coping with failure, making learning tasks meaningful, providing opportunities for self-expression, fostering expression in the arts, developing social skills, using grouping strategies, and finding a mentor. (CL)

Interviews Therese Craig, a drama educator at the University of Alberta, Canada, who discusses the nature and rationale of journal writing, as well as applications for its use in the classroom. (HTH)

It is the thesis of this paper that when a student discovers that he has something to say and he feels a need to say it, he will learn to write. Writing can serve as therapy, but not when taught by drill and correction. (Author/SJL)

Information about dance history, different types of dances, and dancing in other countries is presented. Ideas are offered for helping children experience all aspects of dance, from scoring to performing. In addition, Alexander Godunov of the American Ballet Theater answers questions of fifth and sixth graders. (PP)

Discusses how Franz Cizek, the first proponent of the hands-on approach to childrens' art education, influenced the direction of twentieth century art education. The author points out that, although Cizek's theories profoundly influenced other educators, he himself never actually applied them in his own classes. (AM)

Reflects on the interrelationship between expression and mechanics in writing instruction. (MM)

The individual uniqueness of every student forms the foundation for expressive activities. Our number one priority as art teachers is to assist our students in identifying their creative expressive potential. (Author/SJL)

Takes issue with the assumed antithesis of processes of the irrational (imagination and creativity) and those of the rational (reasoning and argumentation). Argues that numerous philosophers suggest richer ways of imagining the processes of argumentation. Explores various classroom practices that enable teachers to weave the creative and critical…

In this paper Kirsten Fink-Jensen suggests how a phenomenological-hermeneutic perspective can contribute to the knowledge of learning and teaching processes in music education in school. The philosophical frame is Danish philosophy of life, represented by Knud Ejler Logstrup, and Merleau-Ponty's philosophy of body, both pointing to the wholeness…

Moving to music may significantly enhance our appreciation of a performance of a music work. Implications for the encouragement of movement in education for music appreciation are discussed. (RM)

Discusses how Black children's singing games may be applied to enhance education in the areas of (1) curriculum content and philosophy; (2) teaching strategies; (3) child assessment; (4) character development; and (5) development of self-expression.(MJL)