Most students avoid the reflective nature the writing process requires. Their resistance to meta-cognition, thinking about one's thinking, often means they are incapable of capitalizing on their strengths or improving upon their weaknesses. The author believes students who are familiar with writers' lives and habits will be that much more…

In this article, the author talks about the use of punctuation and describes a study that confirmed her growing sense that all students need exposure to and instruction on the full repertoire of punctuation. In an attempt to assess how much of the eleventh graders know about the way professionals use punctuation, all teachers at Webster Thomas…

Argues that the perennial problem of boring student writing is solved when assignments provide writers with target readers, enabling students to find their appropriate voice. Discusses a sample assignment in which students explain how to do something they do well to readers who don't know how to do it. (JG)

Like many high school English teachers, I often had a difficult time getting my students to write. I knew the key to getting them to write was to find activities that interested them. What do most students love? They love going out to eat! They love not just the food, but the whole experience of "going out." Cozzy's Restaurant was this teacher's…

In this article, the author talks about Natalie Goldberg's "Writing Down the Bones." Over the past 20 years, she has referred to its pages whenever she needs a chapter of cheery Buddhist philosophy to soften an onslaught of editorial rejection slips. In the midst of any heady publishing success, she turns to the book to remind her that,…

Discusses research and theory related to journal writing and provides a rationale for including it in the language arts classroom. (FL)

Describes a poetry writing assignment that teaches students the importance of place and objects in expressing emotions about a childhood memory. (RL)

In order for students to write like authors they need to read like writers. This requires direct instruction in attending to the writing craft through the use of quality adolescent literature and engagement in reading and writing. This article focuses on writing catchy introductions. The author offers the lesson objective and a teacher script…

Suggests a way to stimulate students' interest in writing that involves learning trivia about famous people and integrating it into classroom lectures in the form of anecdotes. (SRT)

Presents opposing views on the wisdom of teaching student writers to write for an "audience." (JL)

Argues that asking students to write in concrete images about specific events and places serves to emphasize the importance of writing from detailed personal experiences. (RL)

Uses poetry and poetic prose to remind readers of the power of poetic language. Discusses the author's experience as a poet and her work with teachers to bring poetry into children's lives. (SR)

This collection of materials, a summary of a workshop, is in four parts. The first part lists participants in the workshop and their addresses. The second part presents a recorder's summary of statements made by six participants in a panel presentation on "What Is the Domain Beyond?" The third section gives brief accounts of three…

Students do not need to be told that they are socially constituted so much as they need to experience, in concrete terms, what that means. In an era of identity politics, they need to experience the labels they choose (or the labels chosen for them) as no less problematic than they are inevitable. A means to this end is a classroom heuristic tried…

Writing instructors who would like to move beyond the collaboration provided by workshops and peer-response groups might consider asking groups of students to write a collage together. According to Peter Elbow, a collage "consists not of a single perfectly connected train of explicit thinking or narrative but rather of fragments: arranged how…