This joint statement, representing the collective position of the Conference on College Composition and Communication (CCCC), the Two-Year College English Association (TYCA), the Council of Writing Program Administrators (CWPA), and the College Section of the National Council of Teachers of English (NCTE), aims to: (1) Outline collective…

The Conference on College Composition and Communication (CCCC) recognizes campuses around the world as fundamentally multilingual spaces, in which students and faculty bring to the acts of writing and communication a rich array of linguistic and cultural resources that enrich academic life and should be valued and supported. The aim of this…

The author has taught writing/communication for five years and consecutively for four. Preceding both periods of teaching were very informative and groundbreaking years as a tutor in two amazing communication centers. To say that these centers had a profound impact on the pedagogy of the author, is an understatement. The author has always strived…

This narrative essay describes a basic writing instructor's engagement with student confusion in a hybrid Accelerated Learning Program (ALP) course. The story examines the ways confusion can mark sites of engagement for students and teachers and how ALP courses, in particular, might mediate effective (and ineffective) forms of confusion.

Annmarie Guzy teaches honors composition at the University of South Alabama. This essay discusses her observation that students who took her class were more likely to complete the honors program, which led to her wondering what elements of her course might give students an edge in honors program completion. As an English professor with training in…

The relationship between cultural diversity, linguistic diversity, and composition has been a topic that has received much attention in rhetoric and composition's disciplinary conversations, even if current pedagogical practices used to address these matters lag behind in progress. In this essay, the author focuses on how to address linguistic…

Teaching the Holocaust in a first-year writing course--using photographs of the Shoah as a primary resource--authorizes students to engage in research and writing that provides a place of empathetic, dignified witnessing for those who were denied the possibility of realizing the lives they were meant to live. The author believes that in engaging…

At three different institutions, public and private, in varying roles, I have found the very particular problem of how to inform micro-level classroom practices with macro-level disciplinary knowledge to be centrally important to our field's development and our students' learning--and singularly difficult to overcome. In this program profile, I…

This article shares the story of one student writer that shows how the challenges of writing from sources are tied to issues of voice and authority. Keith was a student in the author's first college writing class in the fall of 2002. As he undertook a transition from high school to college writer, the author was transitioning from high school to…

Multimodal writing is considered as a "new" way of composing, or, somewhat cynically, as a strategy for adding relevance or interest to a required composition course. Jody Shipka's "A Multimodal Task-Based Framework for Composing" suggests that "students' uptakes of a much wider, richer repertoire of semiotic resources,…

After reading Scott Seider and Howard Gardner's essay "The Fragmented Generation" (2009) in a college freshman writing class, students responded by providing their own labels for their generation. This article includes excerpts from their essays. Following these excerpts is the instructor's theoretical justification for this kind of classroom…

Given the current emphasis on disciplinary discourses, it's not surprising that so little recent attention has been devoted to identifying conventions that are universal in academic discourse. In this essay, the author argues that there are shared features that unite academic writing, and that by introducing these features to first-year students…

Drawing on the case of a student of his who, like Herman Melville's Bartleby, simply preferred not to write, the author argues that current celebration of technology encourages passive resistance. He emphasizes that authentic, productive classroom experiences derive from in-person interactions that directly connect in relevant ways to students'…

Amy Lynch-Biniek begins by introducing popular yet controversial concepts presented in the Gerald Graff and Cathy Birkenstein's "They Say / I Say: The Moves That Matter in Academic Writing" (NY: Norton & Company, 2006). As stated in the book's introduction, the goal of Graff and Birkenstein's text is "to demystify academic…

In this article, the authors comment on Douglas Downs and Elizabeth Wardle's "Teaching about Writing, Righting Misconceptions." As Downs and Wardle note, a one-year academic writing course will not prepare students to write in all fields, and evidence suggests limitations on the transfer of skills. The authors agree, in addition, that the study of…