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Rebekah Donn; Bryden Stillie; Zack Moir – Music Education Research, 2024
This article, which is intended as a contribution to wider conversations around music literacy, explores current conceptions of music literacy within the UK, using the area of aural skills training as a focus. Specifically, it considers the nature of music literacy and aural training in secondary (ages 11-18) music curricula and the role of aural…
Descriptors: Foreign Countries, Music, Literacy, Secondary School Curriculum
Baguhn, Sarahelizabeth J.; Anderson, Dawn L. – Journal of Visual Impairment & Blindness, 2018
People who are visually impaired (that is, those who are blind or have low vision) use a wide variety of sensory information to understand the world around them. Hearing is a particularly useful sense because of its range. Many visually impaired people use some form of echolocation to monitor the space around them (for example, the sound of a cane…
Descriptors: Visual Impairments, Acoustics, Auditory Training, Auditory Discrimination
Fairchild, Lyndsay; Gadke, Daniel L. – Communique, 2018
Central auditory processing disorder (CAPD), as defined by the American Speech-Language-Hearing Association (ASHA), refers to difficulties in the perceptual processing of auditory information in the central nervous system and the neurobiological activity that underlies that processing and gives rise to electrophysiologic auditory potentials (ASHA,…
Descriptors: School Psychologists, Language Processing, Cognitive Processes, Auditory Stimuli
Kraus, Nina – Journal of Communication Disorders, 2012
Auditory-based communication skills are developed at a young age and are maintained throughout our lives. However, some individuals--both young and old--encounter difficulties in achieving or maintaining communication proficiency. Biological signals arising from hearing sounds relate to real-life communication skills such as listening to speech in…
Descriptors: Memory, Auditory Training, Computer Software, Music Education
Goldberg, Donald M.; Dickson, Cheryl L.; Flexer, Carol – Volta Review, 2010
This article discusses the AG Bell Academy for Listening and Spoken Language--an organization designed to build capacity of certified Listening and Spoken Language Specialists (LSLS) by defining and maintaining a set of professional standards for LSLS professionals and thereby addressing the global deficit of qualified LSLS. Definitions and…
Descriptors: Oral Language, Partial Hearing, Language Acquisition, Speech Language Pathology
Garner, Allison Maerker – Music Educators Journal, 2009
Listening skills are fundamental in the author's approach to teaching music to children. As a Suzuki instructor, the author is always looking for ways to help students listen more effectively. This article sets forth ways listening can be fostered, both in private instrumental study and in general music preschool and elementary classrooms. The…
Descriptors: Learning Theories, Music Education, Music, Brain
Klonoski, Edward – Music Educators Journal, 2006
Many high schools in the U.S. offer Advanced Placement (AP) courses in music theory for students wishing to study music at the college level. Others devote part of the music curriculum to theory and aural-skills instruction, but do not offer AP courses. In either case, high school theory and aural-skills courses typically strive to cover all, or…
Descriptors: Music Theory, Music, Listening Skills, Advanced Placement
Hiatt, James S.; Cross, Sam – Music Educators Journal, 2006
A musical ear is widely accepted as an essential ingredient in the education of successful music students. Most music educators believe that without a well-developed ear, it's impossible for a musician to function on a professional level as a teacher, conductor, performer, or composer. The purpose of this article is to introduce the concept of…
Descriptors: Teaching Methods, Musicians, Music Techniques, Classroom Techniques
Liperote, Kathy A. – Music Educators Journal, 2006
In this article, the author discovers an approach to teach her budding instrumentalists using an approach that is centered on the early development of aural skills and on research that links ways of learning music to those of learning language. This approach is based on her experience in adapting Gordon's Music Learning Theory, although many of…
Descriptors: Learning Theories, Conventional Instruction, Music Education, Teaching Methods