This article describes an instructional lesson the author developed to help students use parody to read and write original poetry. The author begins this article with an introduction to parody and a rationale for using it as an instructional strategy. Then, he describes materials and procedures he used and he shares samples of student writing. He…

Nonfiction writing, as defined by the author, is the mix of art, craft, and information, put together by writers who let readers know they are interested in a topic, and who speculate about what that interest or topic might mean. In this article, the author introduces ten imagined colleagues who provide essential support for the teaching of…

In an effort to ensure that students feel "safe" and "comfortable" in the classrooms, English teachers often avoid controversial topics, particularly issues of race, gender, class, and sexuality. The insidious hidden curriculum or the unintended consequences of what they choose to say or not say--teach or not teach--can have as much or more impact…

Finding few resources on how to teach a yearbook class, high school teacher Christina M. Vettraino set out to create her own. She offers a detailed, classroom-tested approach to producing an award-winning yearbook. Students on the staff and in the yearbook class learn the purpose and the concept of a unifying theme, graphic design, writing, and…

Drawing on the expertise of colleagues in technology and filmmaking, high school teacher Joe Bucolo helps students demonstrate the critical comprehension, mastery, and creative insight that transpire from close study of Shakespeare's plays. Production Teams examine the context and language of Shakespeare's scenes, interview an expert, and address…

Discusses a women's literature course designed to explore the connections between the narratives that students read and discuss and the narratives that they live and write. Examines a variety of sources, including fiction, biography, autobiography, literary criticism, history, psychology, sociology, and popular culture. (RS)

Argues that a curriculum of peace must include ways to define human problems. Describes how the author taught a literature course called "The Healing Word: Literature About Coping with Death and Illness" that used literary selections and a film series to examine physical healing, mental healing, and healing from grief. (SR)

Describes a high school world literature course. Outlines four "destinations" for topics including: searching for meaning; injustice; romantic love; and border crossing. Discusses teaching techniques and literature the author uses to teach the class. (SG)

Describes a high school course in American fiction in which students read an excerpt from a work of literature, watch the film adaptation of the work, and study both from a particular literary standpoint. Notes that such an approach appeals to reluctant readers. (RS)

Describes how a small team of district teachers created a year-long course for senior honors using world literature to help confront seniors' passage between childhood and adulthood by raising the questions that echo through time and by offering diverse and insightful suggestions. (SG)

Shares how a 12-week course for second-semester seniors called "Cultures in Conflict: Post-Colonial Literature from Africa, the Caribbean, and the Pacific" offers students on a Navajo reservation important insights into how other peoples have dealt with racial misunderstandings, inequities of power, and shifts in traditional values and…

Describes a course on values in twentieth-century literature. Discusses the teaching of James Joyce's "Portrait of an Artist as a Young Man" and other works. Describes the students' reactions. Asserts that twentieth-century literature should be addressed in a way that encourages students to grow and develop. (PRA)

Describes two double-period humanities courses taught in the 10th and the 11th grades (based on the rigorous New York State Regents standards) that interweave literature, history, political philosophy, art, historical documents, and personal experience. Describes the 10th-grade course that includes Western civilization and the 11th-grade course…

Describes the College Board's Pacesetter course, a proposed senior-year English curriculum. Argues that Pacesetter is not innovative at all but, in fact, constitutes a reactionary and teacher-dominated curricular package inspired by a conservative version of educational reform. (HB)

Describes the College Board's Pacesetter course, a proposed senior-year English curriculum. Argues that Pacesetter is a positive and a democratic curriculum. Defends the Pacesetter program against its most ardent critics. (HB)