Every composition created by a young composer represents a step in the student's creative path. Assessment, an intrinsic aspect of teaching, fosters learning and propels students forward on their journeys to creative self-expression. Authentic feedback and assessment strategies must be grounded both in the individual musical context of each…

A major challenge currently facing Pennsylvania music educators (and many music educators across the country) is change to the evaluation process of teachers in Non-Tested Grades and Subjects (NTGS). The law directing this change is known as Act 82 and comes from the Pennsylvania legislature, authorized through House Bill 1901. The Pennsylvania…

Assessment is both essential and a potentially powerful positive force. Music teachers need to provide assessment evidence to survive in today's data-driven school environment. However, the more important reasons they must assess are to improve their professional effectiveness as teachers, to improve student learning, and to help them advocate for…

A common desire among music educators is to help students develop the ability to reflect on and evaluate their own music making. To achieve this goal, music educators often provide their students with a variety of instructional activities, such as watching their ensemble's latest concert performance and writing a critical review of it, allowing…

Maintains that the recent statewide trend in teacher evaluation systems may not evaluate music educators adequately. Provides four case studies on music teacher evaluation results. Shows that music teachers are below the norm on the majority of competencies. Evaluates results of the study and discusses possible reasons why music educators have low…

Provides tips for choral directors to use in selecting repertoire for school ensembles. Explains that the first step in choosing repertoire must be a systematic assessment of the singers, the director, and the program's objectives. Suggests that each composition must be appraised for musical content, teaching value, and aesthetic appeal. (DK)

Describes the opportunities available in summer workshops and graduate programs for music teachers. The impact of the workshops and programs on improving teacher effectiveness is evaluated. Criteria are included for evaluating program offerings for their usefulness to teachers. The author offers suggestions to workshop planners to improve the…

Contends that the question of whether to audition students for participation in elementary choirs is a difficult decision. Discusses the advantage and disadvantages of each choice. Concludes that the decision must be made according to educational objectives and the rationale for establishing the choir. (CFR)

Discusses a program implemented in Wichita, Kansas, public schools to assess curricular effectiveness in music education. Expounds on the goals of the program, participants involved, problems encountered, and the eventual outcome of the evaluation. Maintains that curriculum must be organized around specific musical objectives rather than musical…

Suggests an evaluative model for assessing the quality of a music program that asks questions concerning goals and objectives, leadership of the program, staffing, curriculum and scheduling, instructional materials, and learning outcomes. Advocates the guidelines proposed by the Music Educators National Conference (MENC) in assessing what…

Identifies the underlying concepts of student evaluation. Offers suggestions for evaluating musical achievement. Maintains that all evaluations are subjective, and suggests techniques for minimizing subjectivity. Considers various test formats, and discusses objectives for both classroom and performance achievement. (RW)

Advocates using portfolio assessment in music education, more as a teaching tool than a final evaluative instrument. Explains those advantages and disadvantages of portfolio assessment that are peculiar to music education. Discusses materials for inclusion. (MJP)