The paper examines the nature of creativity and educational changes which have placed greater emphasis on creative problem solving and creative expression. Specific focus is on: (1) production of curriculum and instructional programs to facilitate creative thinking, and (2) development of procedures for measuring creative thinking abilities. (JDD)

The nine articles in this monograph deal with aesthetics from a broad-based approach appealing to an eclectic dance audience. The papers were written by dancers, dance philosophers, and physical educators. Two papers examine the role of the body as the dancers' aesthetic medium, including the use of yoga to increase body awareness. Other papers…

In the framework of Transactional Analysis, there are three ego states, the Parent, Child, and Adult. Students' enthusiasm for learning is directly related to the health of their Child ego state. Since the Adult ego state exemplifies the rational part, schools can be seen as organized to further the functioning of this state. An examination of…

This article describes three archetypal workers: eagles who innovate by improvements, otters who innovate by extension, and unicorns who innovate by paradigm. Each of these innovators is discussed in terms of domain-relevant skills, manipulative skills, and motivation. Needs of each type in terms of business culture are discussed. (PB)

A college professor who invites his students to consider how creativity is at the heart of teaching offers thoughts on creativity. Everyone can learn creatively; creative approaches are essential to learning; there are many ways to learn; in school there is too much fragmentation; the creative teacher does not always know what will happen; and to…

Describes the rise of musical notation in the West, showing the relationship between that development and the origin of music literacy in China. Suggests that the balance of oral and literate means of music learning may foster creative expression in performance. Encourages the study and practice of orality in the training of young musicians. (LS)

A series of strategies called the "Synectics Model," can be used by teachers in helping students to break away from usual thought patterns and to make new connections. Its purpose is to increase creativity and to produce lateral thinking. The activities employed involve the use of metaphor. Examples of the model are provided that were…

Examines the role of creative expression in educational practices. Briefly outlines the work of educational leaders, including Mihaly Csikszentmihalyi, Howard Gardner, and Robert Sternberg, who are proponents of multi-faceted learning and creativity. Considers strategies for educational approaches that involve more creative invention, problem…

This paper describes an investigation of problem finding in art. The concept of empathy with oneself is hypothesized as the means by which artists perceive problems. This concept is then used to analyze the origins of Faulkner's "The Sound and the Fury" and van Gogh's "The Starry Night" as well as the origins of art works…

The developer of Logo describes several creative ways in which the Logo programing language is being used to capitalize on its full potential. He also discusses biases and problems relating to Logo use which limit student creativity and self-learning. (MBR)

Two programs are described: the first, the Future Problem Solving Program, is an interdisciplinary approach to studying and solving future problems. The second, Quality Circles, originally a management technique, has been implemented in schools to improve motivation, attendance, learning, and quality of life. (Author/LC)

Four artistic people of various ages were interviewed concerning their conscious and unconscious thought during creative activity, emotions which precipitated creative activity and intermingled with cognition, and intrinsic motivators and rewards. The interviews supported research regarding the internal forces of creativity. (Author/JDD)

A Creativity Night Festival encourages parents, teachers, and the public to explore a variety of techniques and activities that foster creative thinking and expression. Participants rotate among 20-minute sessions which actively involve them in the creative process. Twenty-one ideas are offered as creative opportunities for the sessions. (JDD)

Outlines a process in which art is used to connect and focus the creative energy of students. Presents a step-by-step format for the project and the materials that will be needed. Suggests ways to help students prepare their self-portraits, gives display tips, and provides testimonials concerning the project. (RJM)

Asserts that the difference between average marching band performance and the truly memorable performances is a result of creative charting. Discusses four stages of creative thought that can be applied to marching band strategy: (1) preparation; (2) incubation; (3) illumination; and (4) verification. (CFR)