A virtual ensemble is a digital musical product that uses multiple recordings edited together to form a musical ensemble. Creating virtual ensembles can be a way for music educators to engage students through online music-making. This article presents eight steps for creating virtual ensembles in music education courses and classrooms. The steps…

This essay explores new avenues towards challenging inequity in these dark times. In these dark times, neoliberalism has coopted discourses that once challenged inequality and systems of power. Social justice, diversity, and identity politics--once powerful discourses that challenged inequality--have now been adopted by those in power to sustain…

Shifting school schedules, small class sizes, and unpredictable instrumentation resulting from the global pandemic necessitated a creative approach to teaching ensemble music classes this year. In response to that challenge, I constructed a curriculum for developing independent musicianship through chamber music. Part independence,…

The four perspectives in this paper were first presented as an interactive research/workshop symposium at RIME 9. The purpose of the symposium was to connect new media scholar Henry Jenkins's theory of 'participatory culture' (1992, 2006, 2009) to possible practices of 'participatory culture' in diverse music teaching and learning contexts. We…

During 2013-2014, the Task Force on the Undergraduate Music Major of the USA's College Music Society prepared a report entitled "Transforming Music Study from its Foundations: A Manifesto for Progressive Change in the Undergraduate Preparation of Music Majors." The report is a call for increased relevance in undergraduate music studies…

Songwriting is a form of composition that relates directly to adolescents' personal experience of music. This article provides a rationale for establishing courses in songwriting at the middle school and high school levels. Other topics in the article include curriculum development, instructional procedures, and assessment. The article ends with…

In this article, an approach to unit plans using essential questions is described within the context of general music education and illustrated in the unit "Repetition and Contrasts: Understanding Music Through Form." This unit is founded on the essential question: As musicians, how do we use form to organize and understand music?…

Knowing how students engage with music outside school music programs can help music educators and their programs evolve. This article offers a look at music teaching and learning in terms of how people are increasingly interacting with music in participatory ways that involve digital technologies and media. This participatory culture offers a…

Informal learning practices, based on Lucy Green's research into how popular musicians learn, offer students in the music classroom the opportunity to explore collaborative, aural-based learning that is guided, rather than directed, by the teacher. Over a period of five years, informal learning projects were included in the music curricula of two…

Curriculum is more than the syllabus, the required reading list, schedule of test, papers, or homework assignments. It is the manner in which the world enters the school. Curriculum encodes the social relations and the power of these relations with respect to people and knowledge. Music is known as the universal language; therefore, it can be…

Details the history and process of a musical theater activity aimed at satisfying multiple intelligences and diverse talents at many levels of a middle school. Specifically describes: (1) how the project started; (2) performing two classics; (3) performance of Broadway Junior musicals; (4) continued support and enthusiasm; and (5) continued staff…

Examines the influences that have shaped today's school music programs by reviewing the history of instrumental music in the United States. Points out the pervasiveness of the military influence on uniforms, music, and marching styles. Discusses European influences, band contests, businesses associated with bands, and the effects of recent budget…

This paper explores the issue of culturally responsive music curriculum content in the context of a music course that I taught on three occasions for Nunavut Arctic College's Teacher Education Program (NTEP). The 19 Inuit students who attended the course were working toward achieving certification for teaching in Nunavut schools. One of the…

Describes the development and implementation of a health promotion curriculum for four- and five-year-old children in a preschool class. The curriculum emphasized the use of the visual arts, drama, and music as learning strategies for health promotion. (BB)

Maintains that the founding of the School of Music at the University of Illinois in 1892 was the result of a decade of effort by teachers, students, and administrators. Describes the history of music education at the University from the 1870s until the founding of the music school. Discusses the curriculum and music activities during the founding…