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Garrod, Andrew; Nalani, Andrew – Teaching Artist Journal, 2022
In this article, we discuss theater productions we mounted in the Marshall Islands as a case example of how the theatrical process, shaped by "polycultural" inclinations, contributes to the personal development of youth in the Marshall Islands. We contextualize and detail a unique theatrical process that has potential for fostering…
Descriptors: Youth, Individual Development, Foreign Countries, Acting
Powell, Sarah J.; Somerville, Margaret – Discourse: Studies in the Cultural Politics of Education, 2022
In performing the zombie game, children enact embodied literacies through movement, gesture, and sound, and through incorporating the materiality and the spatiality of the outdoor area. They communicate in many ways, both brutal and subtle, enacting their understandings with each other as well as with other adults. The repeated performance seems…
Descriptors: Preschool Children, Educational Games, Human Body, Motion
Aita, Sean – Research in Drama Education, 2012
In 1975 a new definition of disability, challenging the conventional medical model, was proposed by the Union of the Physically Impaired Against Segregation (UPIAS) and the Disability Alliance. Subsequently extended to cover all impairments, this definition considers disability to be the "disadvantage or restriction caused by a contemporary…
Descriptors: Disabilities, Assistive Technology, Curriculum Development, Drama Workshops
Vidotto, Kristie – English in Australia, 2010
In this article, the author shares her experience during the final semester of Year 11 Theatre Studies when she performed a monologue about Hermione from "The Winter's Tale". This experience was extremely significant to her because it nearly made her lose faith in one of the most important parts of her life, drama. She believes this…
Descriptors: Tales, Student Experience, Emotional Experience, Drama
Dacre, Kathy; Bulmer, Alex – Research in Drama Education, 2009
In autumn 2006 the Arts Council England set up the "Into the Scene" project in order to increase the number of disabled and deaf theatre practitioners graduating from accredited training courses and to increase the quality of their experience. A team from Graeae, the disabled-led theatre company that profiles the skills of actors,…
Descriptors: Theater Arts, Foreign Countries, Special Needs Students, Inclusive Schools
Zhang, Yun – English Teaching Forum, 2009
According to Ur (1996, 120), "of all the four skills (listening, speaking, reading and writing), speaking seems intuitively the most important." Indeed, whether for business or pleasure, a primary motivation to learn a second language is to be able to converse with speakers of that language. However, in addition to being an important…
Descriptors: Communication Skills, Teaching Methods, English (Second Language), Phonemes
Crawford, Megan – Educational Review, 2007
This article discusses the symbiotic relationship between emotion and rationality in leadership in primary schools. It uses the literature of both emotion and leadership to ask whether school leadership has learnt some of the lessons from the recent interest in emotion and leadership. Drawing on recent research into the lives of primary school…
Descriptors: Foreign Countries, Instructional Leadership, Leadership Training, Primary Education
Centre for Studies on Integration in Education, London (England). – 1989
This factsheet describes a theater workshop in London, England, called Chicken Shed, in which children with and without disabilities or learning difficulties work together to produce performances for public audiences. The factsheet describes the members of the theater workshop, the group's philosophy, the opportunities it offers, the impact of…
Descriptors: Acting, Disabilities, Drama Workshops, Dramatics

Matley, Bruce – Theatre Journal, 1980
Describes the West German system of state theaters and public acting schools and compares their system with the fragmented American actor training provided by college and university drama departments. (JMF)
Descriptors: Acting, Dramatics, Foreign Countries, Government Role
Rubin, Lucille S. – 1978
This report is the result of a six-week study in which the voice training offerings at four schools of drama in London were examined using interviews of teachers and directors, observation of voice classes, and attendance at studio presentations and public performances. The report covers such topics as: textbooks and references being used; courses…
Descriptors: Acting, Course Content, Dramatics, Foreign Countries

McCaslin, Nellie – Stage of the Art, 1998
Describes the author's first visit to Bulgaria to visit classes, attend student performances, and talk with the faculty at the National Academy of Theater Arts and Film. Discusses their use of theater technique, such as puppetry, as a therapeutic tool and the vitality and expertise they displayed in their play performances. (CR)
Descriptors: Acting, Drama, Elementary Secondary Education, Foreign Countries
Danby, Mark; Upitis, Rena – 1989
In school theater, if children feel that they and not the teachers have created the characters, or have influenced or created the script, songs, sets, and dance--in other words, if they "own" what they act--they act better and enjoy it more. When children do not have ownership, they go through the motions, stand where they are told, say…
Descriptors: Acting, Dramatics, Elementary Secondary Education, Foreign Countries

Salazar, Laura Gardner – Stage of the Art, 1998
Describes a theater in Port-of-Spain developed by a recovered drug user and advertising executive to provide a safe and interesting environment for recovering drug users. Discusses the methods used to engage the participants in learning about theater. Offers a chronological recounting of the class and describes participants' reactions to various…
Descriptors: Acting, Creative Dramatics, Drama, Drug Addiction
Conseil des Colleges, Quebec (Quebec). – 1992
This two-part report contains an analyses conducted by the Council of Colleges, in Quebec, of proposed revisions to programs in Forestry Management and Theater Arts offered by the province's public colleges. First, the report considers existing and proposed forestry programs in terms of their relationship to the current practices in the forestry…
Descriptors: Acting, Community Colleges, Curriculum Design, Curriculum Development