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Relf, Diane – Teaching History, 2022
Diane Relf was concerned by what felt like an unbridgeable gulf between Year 7's vocabulary and comprehension, and her aspirations both for their inclusion in history and their later academic success. As a subject leader without the benefit of any history-specific training at the start of her career, she embarked on a journey of intensive reading…
Descriptors: Grade 7, History Instruction, Teaching Methods, Writing (Composition)
Glesne, Corrine E.; Pugach, Marleen C. – LEARNing Landscapes, 2018
This commentary seeks to encourage reflection upon learning and teaching through story. The authors illustrate ways they have used story in their teaching and what they perceive as the benefits of doing so. They explore how they learned through narrative as children and why they came to value it as a way of seeing and thinking. Then they consider…
Descriptors: Reflection, Story Telling, Higher Education, College Faculty
Hesse, Douglas – English Journal, 2009
Writing creative nonfiction means perceiving what details are worth telling, why they might matter, and how they might connect. Although no one much likes the term "creative nonfiction" (some are bothered by defining something by what it's not, others by a conviction that the idea is oxymoronic), it has emerged as the name of choice. In the past…
Descriptors: Creative Writing, Reading Strategies, English Teachers, Nonfiction
Newlin, Paul – ADE Bulletin, 1984
Considers aspects of good masters and doctoral programs in creative writing and suggests ways in which to integrate creative writing with literature programs. (CRH)
Descriptors: Creative Writing, Curriculum Development, Curriculum Enrichment, Doctoral Programs
Mehta, Diane – Diverse: Issues in Higher Education, 2006
Thomas Sayers Ellis, assistant professor of creative writing at New York's Sarah Lawrence College, is one of many scholars fighting for the soul of Black poetry, a struggle that takes place largely off-campus. Unless one is accepted into a top-level graduate poetry program, such as Boston University's program or the Iowa Writing Workshop, a poet's…
Descriptors: Poetry, Writing Workshops, Black Colleges, Creative Writing
Perry, Marion – 1986
Noting that Master of Fine Arts (MFA) programs in writing are relatively new as compared to similar programs in dance, music, and painting, and that little is known about the writing progams by those not directly involved, a study sought to determine if (1) the MFA program in writing is a fairly standard entity from program to program, and (2) if…
Descriptors: Comparative Analysis, Creative Writing, Degree Requirements, Experiential Learning
Fero, Michele; Ridolfo, Jim; Chrobak, Jill McKay; Van Duinen, Deborah Vriend; Wirtz, Jason; Cushman, Ellen; Grabill, Jeffrey T. – Community Literacy Journal, 2006
This article outlines one potential model for a graduate-level course in community literacy studies. Ellen Cushman and Jeffery Grabill taught this course for the first time at Michigan State University in the spring of 2007. In this article our colleagues with varying disciplinary backgrounds reflect on the course, its readings, and their…
Descriptors: Course Objectives, Community Education, Graduate Study, Literacy
British Council, London (England). English Language and Literature Div. – 1984
A survey of the status and use of the English language in Algeria is presented. The following topics are outlined: (1) the role of English as a third language, (2) its place within the educational system at all levels and in each graduate institution, (3) the status of British expatriates teaching English in Algeria and of Algerian teachers of…
Descriptors: Creative Writing, Educational Research, Elementary Secondary Education, English (Second Language)

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