Nonnative speakers of a language are often at a disadvantage in producing extended speech, as they have differing native (L1) phonological systems and rhetorical traditions or little experience in giving talks. Prosody in the form of stress, rhythm, and intonation is a difficult but crucial area needed to master extended speech because prosody…

The greatest difficulty in reading Arabic script for nonnatives has long been considered as the absence of short vowels, however there is more to be dealt with. While the correlation of 28 Arabic consonants pose no great difficulty in deciphering the script, the six vowel phonemes voiced only by three letters even with help of some relevant…

Every language has its own rhythm. Unlike many other languages in the world, English depends on the correct pronunciation of stressed and unstressed or weakened syllables recurring in the same phrase or sentence. Mastering the rhythm of English makes speaking more effective. Experiments have shown that we tend to hear speech as more rhythmical…

This paper outlines key tone and voice quality properties in Phuthi, a Nguni (Bantu) language spoken in southern Lesotho and the northern Transkei (South Africa). The focus is the phonological presence of high tone (H) in Phuthi, and its interaction with other tones, both H and L. From verbs that employ a single H tone sponsor (lexical paradigms),…

This paper explores the interaction of tone and syntax in Rutooro, a Bantu language of Western Uganda. Rutooro has lost its lexical tone but retains a phrasally defined high pitch that appears on the penultimate syllable--the default position in Bantu. This high pitch can work grammatically and in fact distinguishes between the noun phrase vs.…

We often speak about developing students' cultural and intercultural awareness as part of the language learning process. However, these elements are often dealt with superficially and the methods used are somewhat unclear to many practitioners and to learners themselves. As a result, we very often hear that learners do not learn a language at the…

Describes an experimental attempt to verify meaning hypotheses for four Dutch single-accent pitch patterns as postulated in the linguistic literature. Results show a distinct effect of orientation on appropriateness of two of the investigated pitch accent types; the other two pitch accent types are associated with predicted context types well…

Considers the fact that prosody is a grammatical (phonological) structure that must be parsed. The article describes prosodic categories marked by intonational pattern for English and Japanese, concentrates on "pitch accent" and tonally marked "phrases," and discusses potential ambiguities in parsing these categories. (60…

Presenting an account of the general workings and functions of English intonation and accentuation, the discussion notes the prominent role of accent placement. An attempted overall framework for interpreting intonation and accent in English takes account of the discourse dimension to render the subject accessible to both teacher and learner.…

A classroom approach using music to enhance the enjoyment of literature in the French language class is discussed. Two short stories by Guy de Maupassant were tape-recorded by a professional actor, with background music added. Students listened to the tapes and completed a written exercise in which they answered vocabulary, comprehension, and…