This article adds picturebooks to the rich landscape of middle grades readings. It begins with a vignette that inspired this article, followed by an introduction to the changing definitions picturebooks. Next, it provides a brief overview of the different relationships between text and illustrations. Then, it discusses the value of picturebooks…

Four reading strategies and several web tools that are effective for reading closely and identifying textual evidence are described and explained. As teacher-educators with many years of experience teaching reading and the language arts, we have found these reading strategies and web tools helpful for middle school students as they consider…

Frequently, when assigned to read, intermediate and middle grade students engage in a mindless encounter with the text. Or, try as they may to focus and gather information, they're mostly confused and not sure how to repair the breakdown in their meaning-making. With the new focus on close reading--and on engaging students with more rigorous…

The author created a lesson in which students successfully practiced reading comprehension skills while developing an understanding of earthquakes. Not only did this lesson help students gain an understanding of the impact of earthquakes, a subject embedded into Missouri's eighth-grade science curriculum, but it also addresses one of the new…

As students make the transition from learning to read to reading to learn, they find themselves increasingly isolated (Fang 2008; Guthrie and Davis 2003). Gone are the picture books and read alouds of their elementary years; instead, they are faced with dense nonfiction texts and the direction to read and learn the facts. In addition, many science…

E-readers like the Amazon Kindle and the Barnes and Noble Nook are beginning to make their way into school libraries and classrooms. It's about time. E-readers have tremendous potential to entice reluctant readers to read more. A study that the authors recently conducted among low-reading-ability middle school students demonstrated that potential.…

The Text Feature Walk is a structure created and employed by the authors that guides students in the reading of text features in order to access prior knowledge, make connections, and set a purpose for reading expository text. Results from a pilot study are described in order to illustrate the benefits of using the Text Feature Walk over…

Today, it is a challenge for teachers to convince resistant readers that literature holds secrets, adventures, and revelations worthy of their time and attention. When teachers demonstrate how to explore literature and guide students in doing so, teachers help break down barriers that are common among middle school students. Unfortunately, when…

Students in an eighth-grade, urban, low-achieving reading class were introduced to critical literacy through engagement in Image Theatre. Developed by liberatory dramatist Augusto Boal, Image Theatre gives participants the opportunity to examine texts in the triple role of interpreter, artist, and sculptor (i.e., image creator). The researchers…

In the past five years, at least a half dozen major reports have focused on adolescent literacy and providing adolescents with age-appropriate instruction. What is age-appropriate instruction for middle school students? As recent reports on adolescent literacy, such as those of the Carnegie Corporation and the ACT make clear, age-appropriate…

This article describes a study of both textual and reader response analyses of "The Skin I'm In" by Sharon Flake. Because gender and race constitute central themes in the narrative, Black feminist thought and feminism undergirded the textual critique. Critics' reviews, scholarly articles, and published author interviews also supported the textual…

Shouldn't reading be aesthetically, emotionally, and intellectually enjoyable? Yet, as literature becomes complex in middle and high school with multiple characters, points of view, or difficult language, many adolescents forgo the idea of discovering enjoyment in literature. Based on the author's experience as an educator, researcher, and…

The author of "Candy" talks about the reality that a book is only paper until someone has read it and responded to it emotionally. "When I write a book it's alive in my head, but it only really comes alive when it finds a life in someone else's head." His essay is followed by a chapter from "Candy."

Just watch your characters and tell the story of what they're thinking and doing. It sounds easy, but Adoff confides that he becomes attached to his characters in the process of living in their heads, and sometimes awakens wondering if they're okay. It's that level of intimate storytelling that he hopes will connect with readers, allowing them to…

"[Teen literature] is the only genre of writing that is connected not by theme or style, but by an emotional stage of the reader and characters that populate the stories." Brian James embraces the complexity and unpredictability of his teen characters in hopes that readers will discover something about themselves in a confusing time of life. We…