We propose that writing can be employed to foster the kind of career learning required in the twenty-first century. The article offers insights into how writing exercises and approaches can be applied to help students construct their career stories in a way that allows them to engage in a dialogical learning process and work in a self-directed…

This descriptive article explores the uses of poetry and journaling exercises as means of helping students develop their self-reflective capacities within the context of international social work. First, self-reflection and its importance to social work practice and education is discussed. Second, the importance of self-reflection in international…

Suggests using jump-roping rhymes and rhythms as an energetic way to guide students to a basic understanding of poetic principles. (MS)

Describes two strategies to help students start writing poetry. The first involves underlining key subject words in poems or replacing them with other subject words. In the second, students record interesting facts about an animal and rearrange them in order of interest. (BC)

Describes using self-reflective synesthetic writing exercises (which prompt students to think metaphorically about crossed senses--taste of clouds, smell of anger, etc.) in creative writing with high school students. Notes how such writing allows a reader/teacher insights into students' lives and personalities. Includes student sample poems. (SR)

Describes an assignment in which students sharpen their punctuation skills by arranging poems without punctuation in a prose form with appropriate punctuation. Suggests using the poetry of a fictional character from Don Marqui's "archy and mehitabel." (TB)

Teachers teach literature to help students expand and develop their image-making powers, "to imagine, conceive, fancy, picture," to think. To get students involved in literature, especially poetry, Robert Frost's poem, "The Witch of Coos," is particularly useful because it is so immediately accessible. In order to help engage…

Describes an eighth-grade teacher's decision to heed innervoices and make time for poetry in her classroom. The class began by reading fun-filled, picture-book poetry; enlisted the help of school and town librarians in finding compelling single-author works and anthologies; and finally wrote "recipe poems" together. (Contains 27…

Discusses the development of voice through a specific free-form poetry-writing experience. Suggests a method for teaching poetry that draws heavily on poets from diverse ethnic and cultural backgrounds. Shares evidence that this approach to teaching poetry can be the starting point for students developing writers' voice, and suggests ways to move…

Describes the use of "poemakers," sheets of white paper with special drawings pre-printed on them that have blank lines where words go. Describes using these poemakers as springboards for writing in poetry workshops for students from first grade through twelfth, as well as with college students. Includes one finished example, followed by four…

Featuring biographical information, detailed discussion of specific short stories and poems, critical analysis, and innovative activities for teaching literature and writing, this book takes the reader into the world and work of Raymond Carver, the "father of minimalism." Carver's writing presents an honest and moving portrayal of modern American…

Discusses the efforts of a fifth-grade teacher and a visiting poet to rekindle students' sense of poetic passion and pleasure. Describes how the authors introduced students to poems for two voices (using P. Fleischman's "Joyful Noise"). The poetry unit culminated in a project in which students read and performed Fleischman's poems, then wrote and…

Stephen Tchudi, among others, argues that the distinction between expository writing and creative writing is finally a false distinction. Louise Rosenblatt explains that whether readers are reading creative writing or expository writing, they expect the experience of reading to provide them with both information and pleasure. A corollary of these…

Describes a project carried out with children in grades one through four for which each grade produced a volume of a book containing fiction, poetry, nonfiction, and picture stories with the help of a writer-in-residence. (SRT)

Shows how a teacher used paintings as a basis for writing exercises designed to teach students about the subjectivity of interpretation and the importance of visual imagery. Describes a number of specific writing assignments and classroom activities involving description, interpretation, drawing, poetry, and research papers. (TB)