Visual art teachers have often been the producers and directors of their own curricula, turning to various resources and objectives (local, state, and national) to form their own sets of standards. Common Core State Standards (CCSS) have provided new opportunities to integrate the arts into content-based curricula. The author, a classroom art…

Fully updated to reflect current issues in the field of art education. Checklists embedded in charts allow users to indicate where their school or district stands in relation to the criteria--which has been expanded to include district wide, elementary, middle, high school, and superior standards. The criteria within the checklists reflect…

This article reflects the voices of the authors who are three early childhood tertiary educators and who have presented at the Aotearoa New Zealand Association of Arts Educators Conference held in Wellington in July 2007. The authors revealed many common threads that interwove throughout their individual presentations and made visible an emerging…

In this article, the reviewer focuses on a study of a professional development workshop and visual art studio workshops for adolescents. It is her hope that teaching artists will draw new ideas about curriculum and content from the discussion of this work and that the issues discussed here may provide inspiration for their own shift in thinking…

The National Art Education Association (NAEA) is committed to ensuring that all students have access to a high quality, certified visual arts educator in every K-12 public school across the United States, recognizing that effective arts instruction is a core component of 21st-century education. "Professional Standards for Visual Arts…

The 2007-2010 strategic plan for the National Art Education Association places a priority on creating a learning organization that will help to advance the mission of the organization and effectively meet the challenges of the 21st century. The plan is guided by four major strategic goals: (1) Learning: Focus on exemplary professional development…

Argues that the primary responsibility of professional art education associations to their members is advocacy. Explains four areas of advocacy: (1) public awareness; (2) professional development; (3) policymaking; and (4) patronage. Concludes that art educators must join together to advance the cause of ethical art advocacy. (CFR)

"Image to Word--Word to Image" is a professional development workshop which is part of the Pacific Center for the Arts and Humanities in Education (PCAHE) at the Pacific Resources for Education and Learning (PREL). The program combines the cultural reality of the islands with educational research to create a vision in which visual arts…

Focuses on the Los Angeles Unified School District (LAUSD) (California) experiences for understanding how the arts must compete for resources. Explores how a cluster of schools in Los Angeles tried to implement visual arts programs addressing the Getty-Fairfax Project (a K-12 arts education project) in detail. (CMK)

All artists are chemists. Artists understand and study the properties of specific materials and find ways to explore these properties to express views of themselves and the world around them. This article discusses the Artist as Chemist unit and presents how students link art and chemistry through problem-based learning activities. In this…

This paper reports on the work in progress undertaken with young children, artists and early childhood education students in an innovative arts education partnership between Windmill Performing Arts, the national performing arts company for children and families, and the University of South Australia. The paper explains how the project was…

The Getty Center for Education in the Arts has worked with teacher education institutions to develop ways of improving professional preparation to teach art at the elementary and secondary grade levels. Individual campus projects carried out at 10 preservice teaching institutions are summarized: Brigham Young University, California State…

The role and expectations of the arts supervisor and administrator have expanded beyond managing personnel and programmatic activities to informing policy decisions. Legislation such as The No Child Left Behind Act, signed by President Bush in 2002, exacerbated this paradigm shift. Thus, the role of arts supervisors and administrators as leaders…

The forum on partnerships to improve teaching the arts was an outgrowth of earlier gatherings and of research to identify and respond to current challenges to sustain and enhance quality arts teaching. During 1999 the Arts Education Partnership convened a task force which concluded that improved teaching hinges on collaborations among three key…

In 1994, the Rhode Island School of Design (RISD) launched a customized professional development program for art teachers, funded through a coalition of hospitals, colleges, and universities. It fostered a collaboration between RISD and city art teachers, which resulted in development of an overall strategic reform plan for visual arts education…