The present article aims to spur interest in the pedagogical potential of translating musicalized texts, a genre that for a long time has remained on the periphery of Applied Translation Studies. First, it provides a broad overview of the various theoretical perspectives that the academic community has had throughout history on the translation of…

Nonnative speakers of a language are often at a disadvantage in producing extended speech, as they have differing native (L1) phonological systems and rhetorical traditions or little experience in giving talks. Prosody in the form of stress, rhythm, and intonation is a difficult but crucial area needed to master extended speech because prosody…

With the advent of communication facilities, most of our students are enthusiastic to get highly acquainted with rhythmical languages; one of these languages is English. Students prefer to speak the language more than to write a composition, or get in touch with its grammar. In other words, a question is raised "how can we learn English…

The greatest difficulty in reading Arabic script for nonnatives has long been considered as the absence of short vowels, however there is more to be dealt with. While the correlation of 28 Arabic consonants pose no great difficulty in deciphering the script, the six vowel phonemes voiced only by three letters even with help of some relevant…

Every language has its own rhythm. Unlike many other languages in the world, English depends on the correct pronunciation of stressed and unstressed or weakened syllables recurring in the same phrase or sentence. Mastering the rhythm of English makes speaking more effective. Experiments have shown that we tend to hear speech as more rhythmical…

In second language learning, to possess a perfect pronunciation, the importance of stress and rhythm should not be ignored. This articles explores the nature of sentence and word stress as well as rhythm, thus putting forward some feasible ways of training and acquiring a good English stress and rhythm in EFLT (English as Foreign Language…

In 2004, in response to the need to revise oral practice and assessment in the second semester of Beginners French at Monash University, an eight-week group-based theatre project was developed and trialled. A specially adapted version of Tardieu's absurdist play "Le Guichet" was used to give students the opportunity to focus on oral…

Presents various activities for use in the foreign language classroom. These include listening to songs to develop an awareness of intonation and rhythm, reading literature to learn the functions of relative pronouns, engaging in conversation to become proficient in a second language, and preparing a weather report to improve one's vocabulary…

Metrical phonology, a linguistic process of phonological stress assessment and diagrammatic simplification of sentence and word stress, is discussed as it is found in the English language with the intention that it may be used in second language instruction. Stress is defined by its physical and acoustical correlates, and the principles of…

Reviews the different categories of native pauses and describes techniques for incorporating them cautiously into the spoken French of anglophones (especially Americans), suggesting that proper pause behavior is actually a definite mark of authentic sounding and well-controlled speech. (Author/CB)

''Rhythm is one of the most pervasive aspects of the human condition; it is in the world around us and in the world within us, in our bodies and our minds, our living and our thinking'' [Auer, P., Couper-Kuhlen, E., & Muller, F. (1999). "Language in time: the rhythm and tempo of spoken interaction." New York: Oxford University…

This paper explores the features of rhythm that make English difficult for speakers of Chinese and suggests some techniques for helping students speak English with an English rhythm. The focus is on information obtained during a workshop: the rhythmic differences between Chinese and English, word rhythm in English, and sentence rhythm in English.…

After finding that the English Pronunciation course required at Regensburg University reduced errors by only 14 percent, a course was developed in recognizing errors (one's own and others'), with emphasis on vowel reduction, speech rhythm, elementary intonation and liaison. As a result, errors were reduced by 67 percent. (IFS/WGA)