The development of a workshop using the language, techniques, and processes of visual art to introduce particle physics concepts is described. Innovative delivery methods committed to the interaction and collaboration of different specialist areas are utilised, which--in curriculum terms-- encourages connections to be made between separate…

In this article, the author discusses the different two- and three-dimensional art forms. She also describes the different media that can be used in these art forms.

Foil can be shaped into almost anything--it is the all-purpose material for children's art. Foil is a unique drawing surface. It reflects, distorts and plays with light and imagery as young artists draw over it. Foil permits quick impressions of a model or object to be sketched. Foil allows artists to track their drawing moves, seeing the action…

Two artists skilled in creating concrete sculpture worked with special and regular education elementary students in planning and building a concrete sculpture of a jungle. The shared experience not only resulted in a functional piece of art but also in improved staff and student relations. (CL)

Claims that contemporary artists in Western society are obsessed with their careers and fail to approach art as total human beings. Cites three instances in which the latter has happened. Recognizes the experiential nature of learning in studio art and argues that artists/teachers are obligated to ground students' art experiences in praxis. (KM)

The visual arts can be employed as a counseling vehicle for gifted, creative, and talented students. Color, image proportion, subject matter, and texture in student art facilitate assessment and guidance. Craft, drawing, painting, photography, printing, design, and sculpture activities which could help in this process are briefly described. (CB)

Describes a lesson for high school students in which they created tombstones from clay because of the distinctive surface quality as well as sculptural bas-relief effects involved in mortuary art. States that in order to motivate the class, crayon rubbings from actual headstones were taken and visuals from cemeteries were shown. (CMK)

Features Elayne Goodman's mixed-media sculpture "The Goat Castle in Natchez," which is dedicated to a whodunnit murder mystery in Mississippi. Provides historical background of the murder and information on Goodman's life. Includes activities in history and social science, mathematics, science, language arts, visual arts, and economics and social…

Discusses a type of visual art called grotesque art and includes four different examples of grotesque art: (1) the painting "Head of Medusa" by Peter Paul Rubens; (2) Rangda, the widow witch from Bali (Indonesia); (3) totem poles; and (4) grotesque sculptures from the Cathedral of Notre Dame (Paris, France). (CMK)

Describes an exercise in which junior year nursing students, who had just completed a course involving the introduction of nursing diagnosis, go to an art museum and look at art from the point of view of nursing diagnosis. The author examines student responses and whether certain goals were accomplished. (CT)

Describes the visual arts as a means of helping remedial reading and writing students to "see" the process of writing. Discusses the use of clay sculpting to demonstrate free-writing techniques, Venn-mobiles to demonstrate compare/contrast techniques, and wraps (felt "tortillas" and fillings) to demonstrate summary writing. (Contains 10…

The interplay between government and artists and between politics and culture, especially as it relates to the avant-garde and the public, is the topic of this Inter Nationes forum, held jointly with the Center for Journalistic Studies at the University of Giessen and the Federal Mission of Rhineland-Palatinate. As Dr. Bernhard Vogel, president of…

Asserts that visual arts education contributes to a more profound understanding and appreciation of civilization. Maintains that art criticism offers teachers an opportunity to interact with students about their personal reactions to art and to involve them in critical thinking. (CFR)

Identifies and discusses four instructional strategies that represent important aspects of studio instruction: (1) key ideas related to interpretive meaning; (2) knowledge transfer between the artist and the student; (3) personal connections between students' lives and subject matter; and (4) problem-finding. Includes illustrative examples. (MJP)