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Chandler, Brennan W.; Bourget, Jessica L.; Reno, Emily A. – Office of Special Education Programs, US Department of Education, 2021
The National Center for Leadership in Intensive Intervention (NCLII), a consortium funded by the Office of Special Education Programs (OSEP), prepares special education leaders to become experts in research on intensive intervention for students with disabilities who have persistent and severe academic (e.g., reading and math) and behavioral…
Descriptors: Intervention, Writing Instruction, Students with Disabilities, Evidence Based Practice
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Butler, Paul – English Journal, 2011
About 10 years ago, Robert J. Connors's article "The Erasure of the Sentence" questioned the disappearance of writing style and examined the validity of some of the reasons given for its disappearance. Since that 2000 article, the study of style has undergone a kind of renaissance, with numerous books and articles on its uses in composition theory…
Descriptors: Transformational Generative Grammar, Creativity, Sentences, Teacher Role
Landwehr, John – 1980
The freshman composition course at Mayville State College (North Dakota) progresses from basic grammar to sentence combining to the development of expository writing skills based on the principles of generative rhetoric. The course begins with a brief review of grammar, emphasizing the phrase, clause, and sentence, and then moves on to the process…
Descriptors: Course Descriptions, Generative Grammar, Higher Education, Sentence Combining
Kinghorn, Norton D. – 1979
Generative rhetoric is an essential part of any composition program or instruction in written language that begins with the preschool child and continues through the freshman year of college and beyond. Applying the principles of generative rhetoric to selected essays and student performance established the need to maintain the place of generative…
Descriptors: College Freshmen, Educational Problems, English Curriculum, English Instruction
Shulman, Jill; Decker, Nan – 1978
Television is of limited value to hearing-impaired children, who cannot benefit from the soundtrack. Traditional caption writing techniques, which involve editing of the audio track, have been based primarily on the captioner's empirical knowledge and intuition and aim the captions at a presumed average language and reading ability of the target…
Descriptors: Captions, Child Language, Deafness, Deep Structure