Describes an assignment that uses Spanish, Chinese, and French texts in addition to customary English texts, allowing class members to share one another's languages, embrace diversity, and shift privilege. Argues that this move foregrounds oppositional discourse for both students and faculty, creating classrooms in which "right thinking is…

Known as Bitter Bierce, the writer Ambrose Bierce spent years ironically redefining the terms for a host of people, things, actions, and concepts, compiling his redefinitions into the "The Devil's Dictionary." In this article, the author describes how she uses this caustic work as a model for an exercise when her developmental writing class begins…

Describes a unit of study for a basic writing class that incorporates the writing of a dramatic monologue as a first step in learning to write a narrative essay. Discusses how one student's monologue changed as the unit progressed. (RS)

Recounts the process of writing guiding curricular documents for the University of Minnesota - General College's basic writing program. Describes how this was a community-building process that involved a wide group of instructors and others connected to the program. Includes the opening statement, as well as the goals and principles of the…

Describes the sharing of authority that occurred during a collaboratively taught course for basic writing students, supported by real-time computer exchanges. Discusses the computer classroom, curriculum, assignments, collaborative teaching, and student responses to the course. (SR)

Describes how a course in expressionistic writing helped a Chicana basic writer examine the roles of gender, ethnicity, class, and language in her life. Discusses aspects of the course including gender role, economic and ethnic explorations, reflections on language, and connections to expository writing. (PRA)

Gives two anecdotes by practicing teachers of their experiences with basic writers. Provides thick descriptions of two different basic writing students' attempts to write stories. Gives insight into the writing processes of basic writers. (HB)

Fuses theories about Basic Writers and writer's block. Addresses, through the use of hypertext, how computers can help Basic Writers who experience this writing difficulty. Discusses the two main branches of students' difficulties (problems with genre and problems with the linearity of texts) which may be partially alleviated through the…

In 1996, the State University of New York at New Paltz developed the Supplemental Writing Workshop Program for its basic writing students in response to public pressure to discontinue the offering of so-called remedial writing courses at four-year institutions. Our primary purpose in this article is to describe the design of the SWW Program, which…

Describes and discusses the Rio Grande Holistic Scale (a grading scale developed at the Rio Grande Campus of Austin Community College). Notes that the scale has been so successful that it now undergirds the entire basic writing program, crystallizing student thinking about the process of writing, unifying grading criteria, informing course…

Describes how the author uses the poems of Edgar Lee Masters'"Spoon River Anthology" in her developmental writing classes to foster literary discussion, build vocabulary, and teach a broad range of essay writing skills. (SR)

For years, educators have approached college writing from three distinct pedagogies: composition studies, basic writing, and ESL. But now as these classrooms have diversified, mixed, and blended, separated pedagogies are no longer effective. In other words, these three fields (each with its own journals and conferences) have the same common…

A writing center tutor's experience with a basic composition student named Tonja, while limited to seven tutoring sessions and, in the tutor's words, not amenable to claims of universality, reveals indications of the growth of the student as a writer, and the growth of the tutor as well. Discussions between the writer and the tutor were a learning…

The lesson plan developed in this project presents the author's experience of searching for her roots during a summer seminar spent in Hungary, the land of her ancestors. Following an introduction, the project provides a summary syllabus for developmental writing students in an English literature and composition course, "Exploring Our…

Reviews an instructional strategy for remedial writers which consists of four steps: identifying a strategy worth teaching; introducing the strategy by modeling it; helping students to try it out with workshop-style teaching guidance; and then, helping students to work toward independent mastery. (TB)