This paper presents an autoethnographic account of how a drummer found meaningfulness through engagement in asynchronous, collaborative music making with friends in a period of lockdown during the COVID-19 pandemic in 2020. The author learned how to record drum kit in his garage using a rudimentary studio setup, and how to edit the recordings in a basic digital audio workstation. Using Boyce-Tillman's (2011) framework of Spirituality, the author details how, through activity in the domains of Materials, Construction, Values, and Expression, he was able to achieve liminal, Spiritual experience that provided focus, meaning, and purpose in a challenging and unsettling time. The author argues that students could benefit if arts educators recognize and value music making and learning as more holistic, Spiritual experiences.