Oscar Wilde was described by W. B. Yeats as "a man of action, a born dramatist." Although people did not recognize him as a serious playwright until the 1890s, Wilde had managed to find other outlets for his theatrical passion, for example in writing fiction. In this paper, it is argued that Wilde incorporates metadrama into his 1888…

Joaquim Maria Machado de Assis's poem "Soneto de Natal" and the chapter "Um soneto" from his novel "Dom Casmurro" exhibit striking points of intersection that describe the same process: the creation of a sonnet. In the novel, Bentinho abandons his attempt with only a first and last line. "Soneto de Natal"…

While humor has long been documented as a useful teaching tool, it is almost entirely untheorized in terms of its potential for multicultural education. Specifically, the learning opportunities that racial comedic media offer in multicultural and anti-racist coursework is a particularly under-studied area, while research in this vein has great…

With the rise of biopolitical modernity, states justify both the existence of zombies and their monopoly on coercive violence via an imperative to care for the populations within their purview. But biopolitics' intrinsic link to the rise of a neoliberal model of governance, demonstrated by Foucault (2008), places a contradiction at the heart…

From the frequency of the racially motivated and racially justified slayings of black youth to the increased popularity of blatantly derisive racist humor, the enactment of race and racism appears to have become more defiantly overt and unapologetic. Consider the slayings of Trayvon Martin, Renisha McBride, and Jordan Davis, whose armed white…

This paper examines Michael Young's 1958 dystopia, "The Rise of the Meritocracy". In this book, the word "meritocracy" was coined and used in a pejorative sense. Today, however, meritocracy represents a positive ideal against which we measure the justice of our institutions. This paper argues that, when read in the twenty-first century, Young's…

The occasional role of humor as a vehicle for moral criticism is investigated. I begin by distinguishing between this particular role and the other kinds of ways in which humor and amusement might be regarded through a moral lens, consider historical approaches to humor that corroborate the kind of role for it on which my investigation focuses,…

The purpose of this essay is to analyse the teaching of literature with a competency-based approach. This is exemplified by means of a thorough study of a poetic duel between two relevant eighteenth-century writers, Jonathan Swift and Lady Mary Wortley Montagu, and more specifically, by means of the satires entitled respectively "The Lady's…

In this paper I explore the popular Australian television character of Ja'mie King--a teenage private school girl created and performed by male comedian Chris Lilley. I conceptualise Lilley's satire as a public pedagogy of young femininity. My reading of his satire responds to recent feminist scholarship around young femininities and "girl…

This article examines the reciprocity between children's literature and educational ideals in Dutch rewritings of international literary classics published for children between 1850 and 1950. It analyses the assumed pedagogical power of rewritings of international literary classics for children from the perspective of three theoretical concepts:…

This article seeks to further dialogue between the disciplines of English literature and Higher Education by offering a different approach to examining the practice of graduate supervision--a comparison of three fictional narratives: two recently published novels and one ongoing online comic strip. It considers what these narratives reveal about…

Imaginary worlds have been devised by artists and commentators for centuries to focus satirical attention on society's problems. The increasing sophistication of three-dimensional graphics software is generating comparable "virtual worlds" for educational usage. Can such worlds play a satirical role suggesting developments in distance…

Discusses the relationship between doublespeak and humor in the works of George Orwell, W.H. Auden, Doris Lessing, and others. Suggests that one of the most effective responses to doublespeak is humor, a response which acknowledges doublespeak's incongruities and laughs at them. (ARH)

Shows how the rhetoric of selected woman humorists from 1820 to 1880 exemplifies the operation of various comic literary reference frames. Asserts that their comic frame disintegrated because these writers were unable to foster identification between females and males and failed to provide a world view that could accommodate social change. (MM)

Examines the 18th-century rhetorical convention of misogynist satire and how it shaped attitudes toward women speakers. Focuses not so much on the formal properties of the satire but on its convention and content as modes of insinuation. Surveys prominent journals, newspapers, magazines, and reviews of the period. (TB)